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Index/Leadership/Milestone Moments in Business & Leadership
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Independent Book Publishing Strategies for Authors with Michele DeFilippo

Milestone Moments in Business & Leadership · 2026-05-06 · 11 min

0:00--:--

Key moments - from our scoring

Substance score

55 / 100

Five dimensions, 20 points each

Insight Density11 / 20
Originality9 / 20
Guest Caliber13 / 20
Specificity & Evidence12 / 20
Conversational Craft10 / 20

Michele DeFilippo brings 50+ years of publishing industry experience to clarify a critical distinction authors often miss: hybrid publishers charge upfront fees then take backend revenue from sales, while author services companies like 1106 Design charge once for professional services and leave all sales revenue with the author. The shift began when Amazon democratized publishing around 2005, eliminating the gatekeeping that made traditional publishers valuable. Today's authors face three paths - traditional publishing (small royalties, no control), predatory hybrid models (double-dipping), or working with author services providers who offer editing, cover design, interior layout, and ebook formatting. DeFilippo advocates releasing books in multiple formats (print, ebook, and eventually audio) because readers still prefer physical books despite predictions otherwise. For business leaders and entrepreneurs, publishing establishes authority without requiring lengthy manuscripts; even short lead magnets can position expertise. The key insight: professional production quality determines buyer perception and reviews, making expert hiring non-negotiable.

Key takeaways

  • →Hybrid publishers are middle-men that charge authors upfront fees and also take backend revenue from sales, whereas author services companies like 1106 Design charge once and let authors keep all net sales revenue (typically $4-6 per book vs $0.90-3).
  • →Print books and ebooks sell equally well even today, and smart publishers release in all three formats (print, ebook, audio) to maximize reach rather than forcing buyers into one format.
  • →A book builds business authority and doesn't require being lengthy - even short lead magnets can establish expertise and credibility in your field.
  • →Cutting corners on professional editing, cover design, and formatting results in amateurish books that generate bad reviews and angry customers; professional quality drives recommendations and repeat readers.
  • →Authors maintain complete control of their publishing enterprise when working with author services companies because print-on-demand accounts are set up in the author's name.

Guests

Michele DeFilippo

Topics in this episode

Traditional publishingPrint-on-demand1106 Designhybrid publishersauthor services companiesebook formattingcover designinterior designmanuscript editingAmazon self-publishing

Questions this episode answers

What's the difference between hybrid publishers and author services companies like 1106 Design?

Hybrid publishers charge authors upfront fees to produce a book, then take additional revenue from each sale. Author services companies like 1106 Design charge once for services (editing, design, formatting) and then the author keeps all revenue from sales through their own print-on-demand accounts, typically earning $4-6 per book instead of $0.90-3.

Should authors publish only in ebook format to save money?

No - while ebook-only publishing is cheaper, print books and ebooks sell equally well, and readers increasingly want to avoid screens after work. Smart authors release in multiple formats (print and ebook initially, adding audio later) to give buyers choice and maximize total sales.

Do I need to write a long book to establish authority as a business leader?

No. Even short lead magnets or smaller books can build authority and showcase your expertise. The length matters less than the quality and usefulness of the information you share.

What happens if I cut corners on professional editing and design for my self-published book?

Buyers notice amateurish production quality and feel they wasted their money, leading to bad reviews and negative word-of-mouth. Professional quality ensures readers recommend your book to others.

Who sets up and owns the print-on-demand accounts when working with an author services company?

The accounts are set up in the author's name, giving them complete control of their publishing enterprise, access to all sales reports, and the security that their publisher won't disappear or fail to pay royalties.

What our scoring noted

Our reviewer’s read on each dimension, with quotes from the episode.

Insight Density

11 / 20

The episode contains some useful operational insights about author economics (e.g., $6 vs. $2-3 per book royalties, the hybrid publisher trap) and format strategy (print/ebook/audio), but much of the conversation consists of motivational filler and obvious advice. The core insight - that hybrid publishers double-dip by charging upfront fees and taking backend revenue - is valuable but not explored with sufficient depth or nuance. Most of the content retreads general publishing truths rather than offering novel frameworks.

authors are making as little as 90 cents a book
you get all the revenue, you get all the sales reports, and you have complete control of your publishing enterprise

Originality

9 / 20

The framing of the hybrid publisher problem is somewhat fresh for a general audience, but the underlying ideas are not particularly contrarian or first-principles. The advice to hire experts, release in multiple formats, and avoid cutting corners are standard industry wisdom. There is no counterintuitive positioning, no challenge to conventional thinking, and no argument that would surprise experienced operators in adjacent fields.

they call themselves hybrid publishers, self-publishing companies
if you cut corners, they're going to see that. If you do it well, they're going to see that

Guest Caliber

13 / 20

Michele DeFilippo has genuine operational depth (50+ years in publishing, founded 1106 Design, worked at Crown Publishing) and is a practitioner rather than a pure thought-leader. However, the episode does not fully capitalize on this credibility. She is not positioned as a founder scaling a significant business or an operator facing high-stakes decisions; rather, she functions as a service provider dispensing general guidance. The caliber is solid but not exceptional.

Michelle has more than 50 years of experience in book publishing
I got into publishing by accident. It was one of the first job interviews I went on at Crown Publishing in New York

Specificity & Evidence

12 / 20

The episode includes specific numbers ($6 vs. $2-$3 per book; $0.90 per book for some authors) and named references (Amazon, Gutenberg, Crown Publishing, 1106 Design), but lacks concrete examples of actual author outcomes, case studies, or performance data. Claims about audiobook sales ('selling like hotcakes') and format performance (print/ebook sell 'equally well') are asserted without data or citation. For a business strategy conversation, this level of abstraction is insufficient.

authors can make as much as $6 per book instead of the $2 or $3 that these publishers are paying them
Sometimes authors are making as little as 90 cents a book

Conversational Craft

10 / 20

The host asks straightforward questions and allows the guest to provide extended answers, but demonstrates minimal follow-up depth, critical challenge, or productive pushback. Questions are largely open-ended invitations rather than sharp inquiries designed to test or probe claims. There is no moment where the host challenges Michele's framing, asks for contrary evidence, or digs into economic tradeoffs. The conversation reads as a standard service-provider interview.

So what are the advantages of becoming a published author?
So where can we find you online?

Conversation analysis

Computed from the transcript - who did the talking, and the words that came up most.

Most-used words

book40books14publishing13author13authors12publisher8publishers8today7print7design6experts5michelle5first5publish5produce5milestone4

Episode notes

What if everything you thought you knew about publishing your book was costing you money before you even made your first sale? Michele DeFilippo has more than 50 years of experience in the book publishing industry and is the founder of 1106 Design, a company dedicated to helping authors release a top-quality book, keep control of it, and earn more from every copy sold. But what she reveals in this episode may surprise even the most seasoned authors. Michelle pulls back the curtain on what is really happening in today's publishing landscape, who is quietly taking money out of authors' pockets, and what most first-time authors don't know to ask before signing anything. In this episode, Michelle breaks down the difference between traditional publishing, indie publishing, and the growing middle ground that may not be serving authors as well as it claims. Listen in to learn more about book publishing options, author rights, and how to protect your income as a self-published author. To

Full transcript

11 min

Transcribed and scored by The B2B Podcast Index.

Welcome to Milestone Moments, the show where we explore the journeys that lead to success. I'm Sheila Slick, your host and founder of Five Milestones. In every episode, we will bring you insights from the minds of entrepreneurs, leaders and experts who will share not just their expertise, but the milestone moments that have reshaped their journeys and led to significant achievements. So if you're looking for motivation, you're in the right place.

Subscribe now and discover the milestones that mark the path to success. Welcome to another episode of Milestone Moments in Business and Leadership. I'm Sheila Slick, your host. And today, my special guest is Michelle DeFilippo.

Michelle has more than 50 years of experience in book publishing, and her company, 1106 Design, makes it easy for authors to release a top -quality book, keep control of it, and earn more money every time they sell a copy. Michelle is on a mission to help authors ask the right questions to make informed decisions about publishing their books. Welcome to the show, Michelle. Thank you so much, Sheila.

It's great to be here. I'm going to learn a lot from you because you have over 50 years in the book publishing industry. Don't ask me how that happened. I don't know where all those years went, but yes.

So that's actually the first question. Why do you do what you're doing today? What led you to becoming a book publisher? Well, I wish I could tell you I had a plan, but basically I'm not actually I'm not a book publisher and we can talk about that.

But I got into publishing by accident. It was one of the first job interviews I went on at Crown Publishing in New York, where I grew up, and they offered me a job. And so I took it. And that was my introduction to the publishing industry.

And I loved it from the beginning. So if you don't do book publishing, tell me a little bit about 1106 Design. Okay, so what we do is provide services to authors who want to independently publish their book, right? So just to go back in time a little bit, it used to be that we only had traditional publishers, right?

And authors had to go through a traditional publisher in order to distribute their book. There was no other option. A bookstore would not carry a book that was released privately by an author. You had to use a publisher.

I don't know, 200 years, publishers would buy the rights to publish the manuscript from the author. They would hire the experts to produce the book, and they would do it very well. And in return for that investment, they would pay the author a small royalty when the book was sold. The author didn't have to pay for anything.

The author didn't have to do anything other than contribute the manuscript. And so that was a fair deal, right? Ordinary business transaction. So when Amazon came on the scene, all of a sudden it became possible for authors to independently publish their own book.

And that was the greatest earthquake in the publishing industry ever, right? Maybe even bigger than Gutenberg. So all of a sudden everyone's self -publishing their book. Now, at the beginning of self -publishing, though, authors understood that they needed to hire experts to produce the book.

And when... That book was sold. The author, who is now filling the role of the publisher, would get all of the revenue from sales, all of the net revenue from sales. And that went on for about maybe five or six years when indie publishing first started.

Somewhere along the line, and now continuing and getting worse by the day, we now have middleman publishers in the middle of those two options. They call themselves hybrid publishers. self -publishing companies. Sometimes they don't even use an adjective.

They just call themselves publishers now. So the author calls them up or makes contact and they tell the author, oh yes, it's going to cost you this many dollars to produce the book. And the author says, okay, they don't know any better. And What the authors don't know, however, is that in addition to charging them to produce the book, these middlemen publishers also take revenue out of their pocket on the back end when the book is sold.

So that doesn't work out really well for the author. And that's why I've been making myself available on these podcasts to talk about that. Well, let's continue that conversation. So what's the solution?

Well, the solution, we think, is to use an author services company. There are many. 1106 Design, my company, is one of them. And what we do is we provide the services authors need to prepare a market -quality book.

Editing, cover design, interior design, e -book formatting, help uploading your files to the printers and so forth. And we charge you once to do that. When your book is sold... It is printed through print -on -demand accounts that are set up in the author's name.

And so you get all the revenue, you get all the sales reports, and you have complete control of your publishing enterprise. So we think that's the best of both worlds and certainly better economically for authors who can make as much as $6 per book instead of the $2 or $3 that these publishers are paying them. Sometimes authors are making as little as 90 cents a book. So yeah, it's just economically better for sure and control better because the authors don't have to worry about their publisher disappearing or not paying the royalties.

They're in charge of their own book. So now let's talk a little bit about trends. Where are we in today's day and age with books? We have print books, we have audio books, we have e -books.

Well, everybody... I remember when e -books first came out, the first generation, it was sometime in the late 1990s. And at that time, everybody was predicting that there would no longer be print books. E -books were going to take over the industry and no one was ever again going to hold a book in their hand and read it.

Well, that never happened. You know, print books and e -books sell equally well, even today, all these years later. Audio books are selling like hotcakes, right? A smart publisher releases their book in all the formats they can.

Most people start with a print book and an e -book, and then they add the audio book later if they start to hear a demand for it. But if you give the buyer the choice, you're going to make more sales than if you make that choice for them. I think it's a mistake to release only an e -book. A lot of indie publishers do that because it's less expensive.

But a lot of people still like to read a real book, especially after... We're looking at screens all day. We don't want to look at screens after work. So print books still maintain their popularity.

I agree. I love reading and I love print books. And they're a lot more tangible. I was just traveling and it was, if I don't have it downloaded or the Wi -Fi.

Yet the book is just quiet and you can read it at your own pace. You don't have to listen to it. There's no noise, no headphones. So I am a reader.

So for anyone listening today that perhaps says, oh, I've always wanted to write a book or maybe they don't have the confidence, you know, from within thinking I have a story to tell. What message do you have for them? Well, I think everybody has a story to tell. right?

And even if you are writing on a popular subject that many hundreds of authors have written on before, nobody can do it just in exactly the same way you do. You will have a unique perspective. So as long as you focus on that, then you should have the courage to go forward because people are hungry for information, especially for new ideas. So I wouldn't be afraid of it.

Let's put it that way. But I think the main thing that The narrative that's in the marketplace right now, which is that a book is a do -it -yourself task or it should just be formatted in Microsoft Word or something like that, that's bad advice because that's not how a traditional publisher would produce a book. So what you want to be sure you do is hire experts who are experienced, know what they're doing, and can prepare for you a quality book that buyers will be impressed with.

Because if people... buy an amateurish book and they feel they wasted their money, they're going to be angry and they're going to post bad reviews. And you never want that. No.

So what are the advantages of becoming a published author? For most, for business people especially, it's a way to build authority. And it doesn't even have to be a long book. It can be a short lead magnet, like my little book, Publish Like the Pros.

I give that away for free on my website. And it can just be the information that's in your head, right? You already know what your expertise is. So put it down without fear.

It doesn't matter how messy it is. There are experts who can take it from there, clean it up, organize it, turn it into something that's marketable for you. I love that. So where can we find you online?

You can find us at 1106design .com. And I promise we will not spam your inbox after you contact us. We do business the old -fashioned way.

We have a nice conversation with you if you click the contact form and introduce yourself. And from there, we'll see if we're a good fit. And we love making great books for people who want to publish. What would be one key takeaway or a tip you'd want to leave our audience today?

Well, if you've worked hard on your manuscript and you have a story to tell and you have information to share, don't cut corners. Do it well because the buyers will understand the difference. If you cut corners, they're going to see that. If you do it well, they're going to see that and they're going to recommend your book to other people.

Well, thank you so much for joining me today, Michelle. Thank you, Sheila. And thank you all for tuning in to another episode of Milestone Moments in Business and Leadership. Until next time.

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