S5 | Ep. 7 Ang Kawatan
Unsa’y Cheka Sa Parlor · 2026-06-18 · 1h 34m
Substance score
11 / 100
Five dimensions, 20 points each
What our scoring noted
Our reviewer’s read on each dimension, with quotes from the episode.
Insight Density
This is a Filipino entertainment/lifestyle podcast promoting a local theater production, containing almost zero substantive content a B2B operator could apply. The episode is dominated by casual banter, personal relationship questions, and promotional preamble with no actionable business insight whatsoever.
We entertain, we educate and we empower.
It's not the big celebrities or the big people that is actually the thief or the kawatan. But it's actually the system in itself.
Originality
There is one mildly interesting framing — that systemic complicity enables harassment, not just individual bad actors — but it is stated in passing without development. Everything else is conventional promotional talk, relationship gossip, and introductory pleasantries recycled in every theater-promo interview.
it's not the big celebrities or the big people that is actually the thief or the kawatan. But it's actually the system in itself.
why am I being complicit in this? This Things that are happening. Even the actors, like, why aren't. Sorry. Why are they complicit enough? Because that's like the problem when Gyuds, you know, sexual harassment and case, like people are just being, you know, becoming bystanders.
Guest Caliber
Guests are a first-time director and local theater actors from Cebu, Philippines — not senior operators or practitioners who have executed anything at scale relevant to a B2B audience. One guest being a physician and another a lawyer adds credentials but neither speaks in any professional capacity.
It's my first directorial debut.
I've been in the business. I've been in 2D guest for eight years.
Specificity & Evidence
The episode provides a handful of concrete specifics — ticket price (550 pesos), venue (Kabilin Center), show dates (June 27-28), and a rough timeline of the script's development (three years from college). These are logistical event details, not business data or evidence of any analytical depth.
June 27th to 28th at the Kabilin Center
How much? Oh my God. It's been how many. How many weeks? How about you, the actress? How's your preparation in the kind? So we were behind two weeks or three weeks
Conversational Craft
The hosts are warm and conversational but rely entirely on soft, promotional prompts and personal gossip questions (relationship status, ideal types, age preferences). There is no meaningful follow-up, no challenging of claims, and no attempt to draw out deeper thinking from any guest.
I just want to ask the actress what. What are your roles? And then tell me something about your role.
Are you in a relationship now? Are you in a relationship? For how long now?
Conversation analysis
Computed from the transcript - who did the talking, and the verbal tics along the way.
Filler words
Episode notes
This week, UCSP is rolling out the red carpet for the talented 2TinCans Philippines, Inc. artivists and the incredible cast of KULUKABILDO II – Ang Kawatan! Get ready for an episode packed with creativity, laughter, behind-the-scenes stories, theatrical chaos, and the passion that brings powerful stories to life on stage. From unforgettable rehearsal moments and funny cast experiences to the magic of combining art and advocacy, this conversation proves that theater is never just theater. Expect big personalities, bigger laughs, and enough backstage chika to make you wish you were part of the cast. Whether you’re a theater lover, an aspiring performer, or just here for the cheka, this episode has something for everyone.Lights? Check. Cast? Check. Cheka? Daghan kaayo.
Full transcript
1h 34mTranscribed and scored by The B2B Podcast Index.
Oh my God. Word of honor. Happy birthday. But anyway, I missed you. I missed you too. Plastic. Yeah. Excuse me. In five days I went there because. Ah, really? International director. Because it's his birthday. You know the lady. Happy birthday. So I went there. Your face sounds familiar. Filipinos. Chinese combo, huh? Of course. Because I have my talent. I don't know about you. Right before. Semi finalists may know which on semi finals before the season one delay airs a tv. I'm not kidding. Season one semi finalist top ten rang a finalist. And I really don't care Priority is to share my talent. But anyway, my name is Shane. This is Lyle. Ucsv. As they check us apart. Season 5 here are favorite Siwana queer duo. Here to stay and here for more. Oh my God. Bash. Yes. Have you heard about Kuan? There's a news in town. Somewhere. Really? Oh yeah. Correct. Now I should brief Bear main story was boarding house. It's not fully aware. Of course. Unlike you Miss Universe 2025 last year. Okay, let's. We're here and we are so proud to introduce to you the cast and the director of Angkawatan in which part of the Koluca Bildo festival here in Cebu City. Okay. Yes. And hello guys. By the way, You're part of the cast Madiba. Oh really? I forgot. So. Introduce yourself. And for this coming June for Kulka Bilda. Hi, Chikadings. Yes. I'm Vana Sofe. I'm. I'm the director of our upcoming play named Anka Watan. It's my first directorial debut. It's. Yeah. First director. Yeah. As I know. Congrats. It's really something that I'm really looking forward because I'm working with my company members. With you. Yes, Kirby. With Anna. I know. With. With Judy. With Lord. And then with Dave. How about you? How about you? Hello. Hi, Chakading. Oh my gosh. I'm finally here. Anyway. Hi checkadings. I am judy and I play anna in the play ankawatan directed by vanessa. Hi, Dr. Judy. Doctor. Yes, It's because in it case hong kong. Anyway. Yes. Hello. Hi. Hi. You're watching. My name is Lord Lawrence Latonyo and I will be playing Frankie in Angkawatan directed by Vanessa. Oh my God. And one more thing from a doctor Attorney. Legal issues from a Dr. Injectica. Next. Next. Hi chicken. I'm dave ferrell. I'll be playing mateo in angkawatan directed by vanessa fair. Yes. Prepare an honors. I'm not kidding. Nursing. Yes. And by the way, my name is Shane I'm playing Kirby. I'm playing Kermit Vanessa and playwright by Mavi. Yeah. Maverick Avila. It's because he's working supposed to be national dedicated to. To further explain. But however, of course, BFF. Question Dash. No, I want to talk about the plot and what is it about? Okay. I just wanna. I just want to ask the actress what. What are your roles? And then tell me something about your role. Tmi something called audience. I just want to start with Judy. First time. So I play Anna in the story Ankawatan and what do I say about her? Without spoiling main character energy. Very. Okay, interesting. So the main character. I just want to know. I think you can say. How about you, lord? I'm playing l o r d. I will be playing Frankie, main character. So I'm a tv host just like you guys. Celebrity or something. You're the same thing. Are you the protagonist, the antagonist of the play? I wouldn't really say protagonist or antagonist. See Frankie. But rather the mix of both. Coming main character. Yes. No revelation. Excuse me. Later. How about you, Dave? So I'll be playing Mateo, the world renowned Gucci. Anyway, I'll be playing Mateo main character. Plant. Facebook sharing Koan. Permission to post Charlie hair at the vast deep. The long hair from a quad. So that was kind of discussed. It's because some of the cast here are not really the real cast. Oh my God. Not the Kanang first Kwan Ba. The main cast. The first choice of the Kwan. It's because. I just want to reveal it. It's because. Let's be honest. Let's be honest. Because this. Because you know what TCS is Kwan Man Canang will live by the truth. I'm Kirby. I'm playing Kirby Kansh. Well, Didi Sasha, protagonist is a Sha antagonist and I'm not playing the main role. But are you playing a straight role or LGBTs? Yeah, I think because characters specifically me and others production team is just that approach and all, so. But I have this feeling Rona Class Curb is very close to me. Yes, explain. Public servant. Public servant. So I just want to ask the IR director, how did you come up with this art, this kind of material and why. Why the the title? So it's entitled Ankawatan because it's set in a live televised show hosted by Frankie Delicious podcast. It's a live broadcast. It's not a podcast. Because Frankie invited this renowned author, Mateo, who just released the book Angkawatan. So the title of the book is. My title is a book Bash Tapas. And so as he was interviewed by our host, you know, along the way. Something happened. Ah, okay. So can you share it? Yes. You have to pay. Oh, my God. I had lots of friends for complimentary. Without going back, but yeah. So, you know, as Frankie interviewed Mateo, something happened. And it's a question of, is Mateo's story really a fiction? Because he was claiming it as a fiction. And so, you know, as a director, you ask, like, why did I choose this material? I collaborated with our playwright, Maverick Avila. Maverick. Hi, Maverick. He's probably in his couch right now watching this, correct? Yeah. This actually started, like, three years ago when we were just in college. And so I remember he. He is a journalist, so he was writing an article about, you know, sexual harassment and everything. And he. He told me about this story. And at the time, we were still students. I was like, oh, that's. That's a good story. But something happened. You know, we graduated. Life happened. We have different priorities. Up until last year or maybe around 2024, when we came up with this group, Saleda, and we were talking about, like, what are the stories that we want to tell, actually, because at that time, we just finished college, and then we were, like, trying to also do our artistic, you know, creatives on the side, but just really working. So he was saying, actually, like, read it. And as I was reading it, I was like, oh, okay, Very rough draft. I was like, okay. And then 2025 game. You know, Tutankans had. We have this directorial program Workshop, Right? Workshop with her. Bego. Don't answer me with Herbigo, but you can check his IMDb. He's really a good director. And at that time, maybe I forgot that we are actually so we are eight emerging directors. I forgot that we're actually gonna stage a play. I thought it's just gonna be a workshop up until Ms. Sarah have this meeting with all of us and asked us, what material are you gonna stage? This is gonna be your play. That's true. Yeah. And that's also the time we found out that this program is gonna be a one year culminating series of plays which is gonna be staged next year, which is 2026 this year. And I'm gonna be the second one. The first one was Mario, and I'm the second one. And so early this year, I was talking with my friend again, Mavi, like, can you give me the draft that you let me read a few years ago? And as I was reading it, I was like, I think we need to. To, you know, we need to collaborate on it more, because this has really potential. And as we were collaborating it I was really overwhelmed also with the fact that it has to be a one hour long play. Yeah. That was like one of the main challenges really polishing the script. Really making sure that the writer, my playwright and and me as a director are like agreeing on some things because you know, he is the playwright. But at the same time because we are best friends he also asked for my like what do you want in this play? Because I think friends may like input work which is I appreciate the most things we think best friend and like others. Making the. It's very simple. But in doing scripts, in directing and all. So I want to know. Since eight emerging directors. Emerging director. I never mentioned it to you. It's because I don't want feelings. It's Vanessa who mentioned it. So yeah, I'm part of it. Anyway as in album Kwan Cha part of me was very lucky enough to play a part of his script or his play. It's because the play is very timely, I think so it also tackles societal issues. Yeah, it tackles with that we don't want to overshare it. It's because story delivers. A story doesn't need Kwan man good grabika emphasis of telling on some synopsis. It's just that you have to watch it. You have to check it out or listen from start to end for you to figure out why ang title is. But if you were to describe it like maybe in one sentence just to entice. So what is one sentence like to encapsulate the whole story in one sentence? In one sentence it's not the big celebrities or the big people that is actually the thief or the kawatan. But it's actually the system in itself. And then just think. And then House. What's Quandiba? What's 300? I mean I think it's 550 more. So okay. How about you Judy? How do you. How do you describe, describe or talk about the. The characters Anna, how what your process and all. And then knowing as reveal revealing feeling knowing that this is not. You're not the first choice. Yeah, there's another. Another character, another person. However of course problems schedules and all. And then we don't want to kind of compromise specific date rehearsals and then play dates and also Diddy Shaka commit. So of course we choose another part of the canang. Any part of the company. Satuti and cans. We'll talk about that later. So I just want to know how did you tackle the characters Anna and how do you accept it? Main character. Actually, how I landed on the role, Anna, I actually didn't know at first. It was already set. You already had characters. And who was the first one who messaged me? It was actually the stage manager. Hi, Regina. Yeah. She reached out to me and she asked me if I'm available on a certain date. Okay. So the date was the first one dropped. And I was like, yeah, I can be free for that date. Why did I. And she was like, oh, we are thinking to cast you. And already one of the last to be cast. So I was like, I'll do it. I am busy as a person. But then theater is really my passion. I always have to find a creative outlet. So immediately I said yes, I'm going to move all my schedules aside. And also patience. Anyway, Just kidding. So how did you embody the role? Embody the role. So is it so easy for you? It's so difficult. It's very different from your personality and all. Yeah. So actually quite difficult for me because it's also my first straight play ever. Yeah. I've been with Tutankans first in the theater Lab workshop in 2023 after I got my license as a physician. And timing full circle moment for me because when I started off in theater lab, the musical theater workshop, Vanessa was actually the teaching artist. When really? And so when after Regina reached out to me, Ivan reached out to me actually. Yeah. So immediately I said yes. And Anna, without knowing the script, without knowing the kind of the. What if I'm scripting? 550. 550. Anyway, how about your attorney? I was very honored to have been invited by Vanessa. Okay, so Vanessa reach out for you. Reach out. And then it was our first interaction online. And then Vanessa won as best actress. Oh, yeah. Oh my God. Yes. Oh my God. The best actress and message. Without knowing on Seimo rule and everything. How about you, Dave? How did you. Why did you accept the role? And how do you pick up as an actor and then see Mateo? Right? Correct. Your character called Mateo is. Is it the same as your personality or whatsoever? So funny story. Is the first. The second eulogy, first playing in which. Very effective. And she asked me out of the blue. Did you say ds entirely? Yes. Okay. Working as a nurse. You know what? As such, travel to Karkar. I'm not kidding. I'm from Karkar. Oh my God. Rehearsals. Yes. Correct. But why did you say yes? Yeah. What made you change your mind? What made you change your mind? Correct. I think Niklear up on schedule. Artista. I think I had a very long time since the previous musical that played musical that I had. I was in three. I was also in June in June last. She said meds. Me same question we asked Ilaha me. I never said yes. They forced me. So I really don't know. No because I never asked. So I asked. Anyway. It was asking without asking, without reading the script. Same as them. I really don't know the role. I just said yes. And then starts at. It's because Photoshoot Mashapagimoni mug yet? Yes. A week after poster and all. So okay. So much of prod. Okay. When we started. When we started the Kanang photo shoot. Okay. So I have this and also. So when did you find out? And then afterwards script. Tell me if it's. If I'm not dag hunting changes on script. As a director. No, I think it's part of the. It's part of the challenge. Actually anticipate. You know, we started February really collaborating with Mavi the script. But I did not anticipate that. There's going to be a lot of changes. There's gonna be a lot of considerations. The production like the budget, the cast. Like there are. It's not. There are a lot of things to consider. It's not unlimited there. It's. It's. It has limits. So I think that was one thing. The cast, the production, the time aside actually from the script. Like the. The dates actually was like changing. Oh, correct. And so that's also the reason why. And the Quran venue as well at first. But then because. Okay, that was a fun day. And so because changes of the dates. Magrika said because. So it wasn't Nadili Ankamu on first option. It's just that cast. But then after Katoni Soti. Actually I'm first choice. Lord. I don't know what was the selection process. The selection process was actually while writing it Naanami in mind. So while I was collaborating also with my mental. Yeah. Shout out to Charlene. Hi Charlene. From. From the company. So Nana Kui Mana cast. But since updates. So now change the submit cast. And then kind of like. I think I remember Konan. How about you try this set of people. And then as I was like looking. Oh yeah. Yeah. Dave actually remember Dave was the character last year. He is good. So I trust. Oh my God. Dave coming from shirley. He is good. Why? It's because Halustan Nanyang role satudin can sleeve. Let me check my schedule before. Before we go deep. We go deep with the. With the play. I just really want to know. Even me. Oh, correct. From coming from La La Land. Yeah. What is Kuluka Bildo Day, guys? Is it a festival? Right, It's a festival two because we already had Koluca Buildo one which was like a full circle moment because I remember way back 2022, that was Kolokobildo 1. I was also one of the actors. So it's been two years, 2023 and 2024. So it's actually like kind of big production. So full circle. From an actor. Yeah, from an actor to director. So going back to definitions, open conversation. So last, last Kuluka Buildo one, it's about the advocacy was aids, spreading the awareness of hiv. And now it's actually the directors wanting to share something that they're advocate that their advocacy. So for me, it's from my personal experience also as a woman, I want to talk about sexual harassment. The women that are facing today. It's not just something that's happening now. It's an ongoing conversation and it's an ongoing experience. Not just actually for women, even guys, for everyone. Specifically for women. Yeah. And it's very urgent and I just don't think there is no like safe time to stage it. I feel like now is the time. Now is the time. So now is the time. Because of first Nakoai. Aside from this. But I just want to know she. Vanessa talked about sexual harassment and all. And you taking this story all about so much more to do it. It's because there's something it's impactful community or whatsoever. Who can answer contestant number one? Contestant number one. Yes. Yeah. So when I found out, especially since reading the whole script and especially with my character as a woman. So I think usually it's women who are like often silenced or often their. What do you call this? Their story or their truth is minimized. So for me it's very important since I'm also like I have strong advocacies, personal advocacy, if you don't mind. What's your advocacy? Aside from Kwan Kanye tackling this kind of rules, what are your advocacies? Women and children and everything about health care, even hiv, equal health care, access to all and women and children. So I'm also part of a non government organization. Yes. Yeah. So especially in my org, I'm also in the community. So I am very vocal and I really, when I have the time, which I make, well, quick time, but I make the time to pursue and actively take part in my advocacy. How about you, Lord? 1st no, I would really want to to commend two tin cans on air because of Gulo cabildo Guluca Bildo to me is very kanang. It's kwanba. It changes theater scene because it actually talks about advocacies just like Vanessa. Are you part of it before? Yeah, full circles and very very light but in the reverse because I was one of the directors. About the little boy. So. And then advocacy. One is only HIV but different versions our pieces and then hiv. Mangood is my long time advocacy. So I also belong to a non government organization volunteer, no group advocates. So we provide HIV services to the community. And then when I learned Ankawatan actually talks about sexual harassment now that I'm a lawyer one another advocacy that I have is Kanang musuti or atong ipadayag ang sika Safe Spaces Act. Okay. This is one of the kind of underrated, underrated laws because it's very, very. It's a very good law. It's very crafted really well. It covers every inch of our kind of living dimension it reaches. It protects us anywhere we go, whoever we are against whoever violates atom. Right. So I'm so excited other than the fact on stage. But also it's an opportunity to tell people hey, it's not good to harass people. Yeah, correct. That's true. But I totally agree. Good. Because you know speaking up not only here in Cebu but in the Philippines is quite taboo, especially women. And I really love that Safe spaces for me it's because it encourages people. Encourages people and then it helped them open their minds. But it's because we started in ourselves. Okay. I need this. This is my limitation. This is where I go on and this is the space that I want and then this is the space that I want them to respect. I really love no Shane, that you mentioned that one of the things frustrate about safe Spaces act and help how it's implemented or how it's appreciated by the public. It's not about affects a person but it's really more. I hope people will not devalue. You don't know good struggles and how it affected that person. It would affect. YouTube long lasting. Friend and then from the next, you know. How about you, Dave? Anyway, back to the show. So back to angkawatan. So I think the play tackles various topics specifically about themes. I think the people who would be watching the play would realize they were in this position before they were just. They were just complacent about it. And so I would just like to Add that's also the reason why our play is set in Cebuano. In Cebuano scene. Not in Manila, not in Hollywood. Because we wanted to really make it personal. Now these things not only happens in. In the big cities, it also happens in our small communities. And the ordinary people. Exactly. Yeah. So that's. That's very nice. I just want to know how they mentioned Two Tin Cats because I've been. I started. I've been into. I've been in two tin cats for 30 years. Oh my God. So I started 20. 18. Count 19. Eight years. Yeah. I've been in the business. I've been in the business. I've been in 2D guest for eight years. So I just want to know K. How many. How many years? Like official. Official. I think two years. Two years. Three. Three years. Two to three years. Same time T audition. Vagina monologue. 20. 20. 20. 2020. Two. 14. Yeah. So that means I was 14 years old back then. This is very nice because this is very different from other kanba other company in which we tackle very sensitive issues. And then from. From a member kind of from Tutin cans. I really appreciate tooting cast is because the advocacy that they're trying to push. They don't just do plays just because for entertainment. Something behind purpose. We entertain, we educate and we empower. The topics are usually for societal change. Exactly. Right now you're acting. I want to know what do you think the audience should be expecting? Yeah, that's actually something Nami and my. Our playwright Mavi has been talking also like, what do you want our audience to like, bring home? Yes. Takeaway. And that's also like part of how I envisioned the play like feeling Nia well not start and play well characters. It's actually a tragic comedy. So it's. It's very funny. Funny. But at the same time the tragedy is the comedy. While they are enjoying it, maybe I'm hoping that they're also gonna realize that why am I enjoying this? Oh my God. It's because Antagonist trigger warning. But of course, like, it's very subtle. It's very subtle. It doesn't really feed you. It's really personal to other people. Maybe. Maybe they would relate. Maybe Makarilate writer or maybe Makarili Kirby. Correct. Or like the story itself. Character bears the story. Yes. One of the like main points of the story. All of them are ordinary people except the Frankie. But all of them are very ordinary people. And what happens there? They would also ask like, why am I being complicit in this? This Things that are happening. Even the actors, like, why aren't. Sorry. Why are they complicit enough? Because that's like the problem when Gyuds, you know, sexual harassment and case, like people are just being, you know, becoming bystanders. They don't really speak up. They're just complicit to it. And that's actually what enables the. The things that are happening. And. Yeah, 550. How much? Oh my God. It's been how many. How many weeks? How about you, the actress? How's your preparation in the kind? So we were behind two weeks or three weeks, so I had to catch up with them. Script, line, Character. Anyway, so with your coin B, how do you juggle it? Memorizing the lines. When I'm at work. When I'm at work, whole mind is set for work. We compared with compartmentalized. You know, listen, When I'm off work, I try to kind of read the script and, you know, memorize it. How about you, as an attorney travels and all. How do you compartmentalize more than the challenge? Compartmentalized work, memorizing the script and attending rehearsals. It's really more of a adjusting for me. So this is really the first time. When was the last? The vagina monologues. Yeah, 2020. Two. I was your director. I didn't really needed to like memorize script. So Karen. It's also more virgin, Negative, pregnant. But anyway, there's so many things. But, you know, it's a welcome development. I'm not mateo. How I have to juggle. No. Since I willingly let myself be busy with so many things actually, especially for this play and then first time as a trade play. So previously Satutan Kansas musicals. So they're very light hearted usually. And I can kind of hide or mask behind the singing, which is usually which I can say my strength. So acting is very new to me. So when I was reading the script and then emotional, I wasn't even maybe at the climax yet, but I kind of knew what was the central theme. And I even told Van when I read through the script, oh, nihilaku Van. So I mean, not being acting, not being my strength. Murag da was my rug struggle. How do I find the balance of being, you know, like separating, kind of compartmentalizing my emotions itself like the rest of the day or whatever. So I really have a set time to like read through. Even for the longest time, honestly, I kind of wanted to like. I don't want to read the script. I can only imagine the lines for me was very Me. Some of the lines are very me. However, it was a struggle. It's because it's another character. So how will I inflict a new character in which I consider. Ariana grande as glinda? How will. How will they. How the people will see you as. Not you? So it's because for me, it was. This is. This is so easy. Because it's so me. Can I put it in a kodua? And however, of course, that day. Director. Oh, my God. There is no. There is no small roles. Everything has its purpose. I want to ask if you were to describe your role in three adjectives. Okay. It's a. Kirby's a go getter. And then ambitious. And then K. Per. Thoughtful. So not you. Oh, my God. Anna is beautiful. Actually. Yes. Part of the central theme. Beautiful. And she's brave and what else? Beautiful. Brave and being like, bold. Yeah, beautiful. Brave and bold. No, no, no. That is brave and beautiful. Correct. Frankie Kai. Vibrant and then ambitious and also predatory. If I were to describe Mateo in three adjectives. Ambitious. Yeah, ambitious. Mateo is. Trying to be confident. Okay. Reading through the character. And lastly, he is manipulated. So can I call. I just want to know, because you've been cans. So we're not new to Tutankans. So once a process, how. How Tutankans nurture their actors. I think for me, like, given that it's a full circle moment, like, I started working with them in 2022 and now, like, I'm a company member. At the same time, I'm debuting my first play. I'm debuting my first directorial play. It just shows how they nurture us artists by giving us opportunities. You know, it's part of Tutankan's to educate, to empower, entertain. So one of it is to empower, not just empower stories, but also empower their artists, their company members. Ms. Sarah, our producing producer, she's really one of the people that I really look up to. Also my mentor, Charlene, I really look them up because they're. They're one of the few peoples who really. Not just very serious in their craft, but also they stood what they think should be, you know, like, for example, their advocacies. They really stood with their advocacy. If they believe things that are out of, like, let's say out of the. Out of the place, that it's not part of their values. They would really say out loud. Even me, like, now I'm learning this curve of being a director. Like, they're really gentle and polite to me, like, hey, this is not Working you should do this. They don't really tell to me on my face now this is what we want. No, they gave me the opportunity and the freedom to actually explore and like maybe learn my, my capabilities. That's so true as a director. How about you? Any? I've been in the tin can for eight years. Same. They always collaborate with their actors, man. They're not the type of directors that would just tell you do this, do this because they want the actors to explore the characters that they've been playing and make them their own, not just force feeding what they would want or you know, the character play. How about you, Lauren? What I really love about Tutin Khans is the move to professionalize theater acting and or at least standardize it. So relate to profession. I see the support if you're a professional under prcpd. So for lawyers we also have MCNC for two tin cans put. There are continuing support to hone the craft. So workshops, you know, we're invited to seminars or workshops from very really good mentors, you know, that, that, that not it not only canang helps us be confident, but also view the theater gibba, you know, as something bigger and something relevant and useful to the community, not just providing entertainment. Yeah, that's correct. Okay, thank you. But what I really appreciate the most, most Yidni Tutankans, ever since I started so workshop, the theater lab, they really believed in me. Even if like I didn't know my own potential, like the capacity of my potential. But then they just believed in me and they wouldn't kind of spoon feed. This is what you should do. They really asked me, Judy, you don't have to sound a certain way or like I think you're getting it from what you see a material on YouTube, but don't follow that. What do you think the character is? Do you? And so it really gives me also the opportunity to think and reflect on the character itself, the story. So there's a lot of learning and I love learning in all forms. So it makes me really happy and I'm always encouraged to learn new things for the way I see it as someone who does it doesn't, you know. Yeah, it doesn't work with Tutin cans. The way I see it is that the company actually gives you the creative freedom but at the same time also guides you bring up the potential. And then that skill turns into passion. And speaking of promoting so you know, this is like somehow an early access. So I want to ask if it's okay. Langpon, can you give, give Us like one line holiday should. Okay. Controversial. Just kidding. Oh my God. Okay. Excuse me, miss, I really don't want. I really don't want to. I really don't want. Because highlights first lines was. Miss, I already. I already reminded Frankie for the way she would deliver. It's because. Director, if it's okay to continue that question. One. Obviously. Delivery. Oh, I'm not kidding. Good. You are watching open book with Frankie. And for a province like Cebu, I think we have a lot of stories to tell. You would know that, right? Yes. Natural speaking voice. Because. That's. In a lighter note. Anything emotion or whatsoever. Anything. Like for example, I start. I'll start. I mean, I expect 1,000 pesos. How about you? Like love. From. You know, from somebody not for Yunta until now, right? High school. Of course. When we were high school. Specific amount of money. Makeup. Hello. Hello. Gold bars. Promise last week. How about you? In relation to grandmothers. So back when I was younger. House of lola. And I'm shaking dahan so ako mato. Oh my God. I would like to invoke my. Right. Oh my God. I don't know if your bones is shaded. So my sister also is a business woman. So Nagichai like either like clothes or now she's in the. Stock room, basically. And then. How about direct van. I feel like same with. Conspiracy. Conspiracy coins. Are you in a relationship now? Are you in a relationship? For how long now? Louis g. Louis g. Hi, louis g. Seven years. Oh my God. Seven years each. It's either three years or the seventh. Oh my God. We were talking about a while ago, but we were not here. We were talking about. It's because you're wearing 15 panties. How about you, Laura? In a relationship? No. How long? You're just not comfortable to say. So how long before pandemic? Really? On the side, you know. You know what I mean? On the side, before pandemic. Eight years. Oh my God. Are you sure? Nothing really going intimate relationship. But are you. Are you open to a serious relationship? Yes, I am open. This is your. This is your moment. This is your moment. You are open. You're not accepting applicants. Correct. You're now accepting clients. Ideal type. Not really. Dr. Somewhere age group. Or do you want him to be younger than you? Or. Well, I would want me to be the younger one. And then. So question. 25 years old. 25 years old. Do you have someone in mind? Because. Friends. Are you single? Yes. Are you dating? Are you open to dating? So you're not in a relationship? Yeah. Are you open to have a new relationship. I think I'm happy being with working and I have so many things. Things in my place. Okay. So we would like to ask the same question to you. No. Because you're part of the class. Are you single now? Yeah. Yes, I'm single. You're still single? Season five of course. Pretty. I'm not pretty. Of course. In this world people really go for looks. I'm not kanjikayo into older than me. Early twenties. Not really. Nah. Before I like that. Of course the maturity itself boils down to it. Remember? Correct. Because monster is not that important for me. Or maybe it comes with age. Exactly. It comes with age. This is your moment Announcing. What are you looking for in a relationship? Thank you so much for your fun having here. Older than you. Okay. Very open. Now I'm okay. Now I'm okay. Romantic feeling. Prioritize. Stability. Companionship. Companionship. Oh, exactly. Girl 72 years old. I think so. Oh my God. Older than you. You van Older than you. Older than single. Makaro. So do you want older than you or younger than how old? 5 years older than you or 10 years older than you? I'd say 10 years older than you. You someone 35. Yeah. You're 25. How old are you? 39. I gore gore. Feeling a senior. What more Kumala. How old are 17 halfway. When we were sauna. When we were kids. Old. When you reach 50. Cigarette back. Age 35. Because I think on 20s stage bracket is for them. 31. 32. I think it's also because of social media. That's really a thing. Age is something although like 34 like perspective because of what we see online. Yeah. Because for me said no, it's because when you're 24. So for example business on 34. What my business and 24 Konanakai business. Business. I earned my own money and then a 34. Relationship. Seven years. 15 Kapanti. Yeah. Buy 1 take 7. Older than you or younger than you? I think I've come to the point that doesn't matter to the 50. Okay. Nimo. Yes. What is sex life now? I'd rather not ask. Can I invoke your. I reached a point in my life. 60 plus. Maybe because I had daddy issues and I was. Yeah, It's money issues. It's not called Mashadimas secret. Sugar babies. That's how they call it now. Sugar babies. Sugar babies. Oh my God. Oh my God. At this age. Life that opportunity back. Oh my God. Literally. Literally. Minimum. Minimum master list Anna. Contact. Relationship Of Pinoy or Ganamu. Foreigner. Foreigner. Foreigner. Nationality specifically. Are cool. Yeah. Or go on. How do you call the people? A check. Check. Correct. Check. Irish. I did not do anything. Forgotten footballs. Foreigners. Okay. My man took triathlete and then rowing. You're so beautiful. Really? Cross your mind Lady Antibalum Besh I haven't crossed your mind? Cross the bridge when I get there. Okay. So for kind of going back discussion about your play and also the rehearsals. That you experience. This with the rehearsals so far. Supervisor Barry Understanding. Understanding. I talked to her about the play we'll try to schedule. So so far I cannot. I can attend. I can attend most of the rehearsals. Thank you. So multi split shot. Working with these people, especially Shane. I think honestly it's easy. But it's easy to want to work with Shane. Oh my God. When we're acting on rehearsals. Serious, Serious character. No. Anyway, how was your required. How was your process or cells the eye. Okay. Thank you for asking that question. Which is about one to two hours. But what the audience do not see is the amount of work time, resources, sweat. No. Not were involved to mount that show together. So personally that's actually one of my challenges now considering what I do. And so that's an added pressure as a actor. Aside from the pressure of breathing life into the character end the story. And also I'm pressuring come across a message to the audience. So it's difficult, but it's also fun. Yeah. How about you, Judy? It's an. What a wonderful experience. What a wonderful world. Since and I know that everyone I'm working with, every single one, Shane, Sivan, all of these people have already acted before the first time coming in. Take notes. Yeah. Listening to all their advice and how to approach a character. Sometimes I feel like but Wala Pasha ni ni translate into the acting. So Kanaksha, very excited. I would like you to invite our. Our Chaka Dings, Ikobesh or whoever. Yeah. Let's start with. I want to invite our Chaka Dings show this coming June. So start day. Start day. So we would like to invite the chickadings to watch Ankawatan on June 27th to 28th at the Kabilin Center. Yes. It would elicit emotions you'd never expected to feel. But you know, don't take our word for it. So watch on June 27th and 28th. Please watch. It's something I am proud of as like a Tutankans member and as part of this family. Because you don't stage a lot of these Types of productions in Cebu especially and they're very important for people to witness themselves. So yes, please come and watch. Yeah, how about Ivan, our director? I know it's summer so maybe if you're looking to like have fun with your friends, bring them and watch our play ankawatan this coming June 27th to 28th at the Kabilin Center Cebu. You can get our tickets at yapc. No, actually. What's your social media account? Social media accounts 210 Cansville the penis. That's the page and that's in Facebook and Instagram. Yeah, I think we also have in TikTok. Yeah, that's two ten can ph. That's correct. So let's support them. Yes, yes. Guys, because I'm part of Dankawatan, please support not just the whole Kuluka Buildo festival. This strike national last month. So April, April and then until November, December until December. So of course I'll be the last. So please watch. Every month directors from two team cans will be having a debut now play. So please watch that. So now this coming June 27th, 28th, that's in June 27th, 7pm on show and then on June 28th there will be two shows that would 2pm and 7pm and how long show? An hour, an hour, an hour and a half. So Kansha, it's in the Kabilin Center. So nice. Oh my God. Yes. So that's it. That's on 6-27-28 again, the Kaluka Bildo festival. It's a series of kanji bashes and we're really proud of this Jude. It's because this is original and of course debut directory. Debut niveness. And it's nice to know that the theater scene here in Cebu is flourishing and I hope. Yes, of course. And this is under Coin Hatutin Cads Philippines incorporated. Thank you so much. Judy lord and. It's our pleasure to have you here. So next time Nas. Oh my God. Next month. Next month. By the way, this is live and this is Shane and you're listening to UCSP as you check us apart season five, your favorite Cebu and a career duo here to stay and here for more. See you next week. See you next week.