
The CMO Show · 2026-06-24 · 26 min
Key moments - from our scoring
Substance score
45 / 100
Five dimensions, 20 points each
Reese Group, a century-old Australian plumbing and building supplies retailer with 700 stores, is undergoing a significant brand evolution under CMO Jessica Park's leadership. The company historically built its reputation serving tradies through strong relationships and trusted expertise, but is now shifting toward a design-led, consumer-focused future while maintaining its trade heritage. The new Roseberry showroom exemplifies this transformation, featuring immersive design zones, a maker's studio for customization, a vanity visualizer with 200,000+ variations, and a digital bathroom assistant that lets customers build mood boards and collections throughout their journey. Park, who transitioned from agency leadership, brought critical insight that customers arrive at showrooms having already conducted extensive online research via Pinterest and other platforms, meaning the physical space needed to solve for emotional decision-making and design visualization rather than initial inspiration. The store integrates AI technology and digital tools that follow customers from pre-visit through post-purchase, creating consistency across channels. This B2B2C model actually benefits trade partners by inspiring their clients and generating renovation demand while giving them confidence in the quality customers will select.
Customers now view bathrooms as highly personal, considered spaces where major life milestones occur, leading them to conduct extensive pre-visit research online via Pinterest and other platforms before arriving at showrooms to finalize decisions and experience products physically.
A central space where customers can pull together swatches, taps, tiles, and other elements within five steps to visualize combinations either independently or with expert help, eliminating the need to walk laps around a traditional showroom.
It allows customers to scroll through a digital interface displaying over 200,000 vanity variations, see them in different lighting conditions, mix and match options, and upload their selections to personal devices for reference.
It aggregates customer mood boards and product collections built both online and in-store, maintaining a consistent digital record that follows them through the journey from pre-visit research through post-purchase, eliminating the fragmentation of seeing different products across separate channels.
It creates a trusted destination tradies can confidently send their clients to for quality products and inspiration, while generating renovation demand that translates into more work and business for those trade partners.
Our reviewer’s read on each dimension, with quotes from the episode.
There are a handful of genuinely useful observations - notably that showroom visitors have shifted to arriving late in the journey with research already done, and the scale problem of 200,000 vanity combinations - but these are surrounded by significant padding, generic stakeholder-alignment talk, and vague AI commentary that goes nowhere actionable.
the showroom is very much designed and in a space for people who are generally in more of a dwelling state of mind
it's over 200,000 different variations of, you know, vanity, uh, so as you can imagine it's, it's almost impossible for our um, for our experts to sell but also impossible for our customers to sort of visualize
The B2B2C flywheel framing - tradies directing clients to an inspiring showroom that creates demand for renovations - is mildly interesting, but everything else (omnichannel seamlessness, research-led strategy, empathy from agency backgrounds) is thoroughly recycled content with no contrarian or first-principles argument.
creates more demand and more work, more business for our trade partners. So, um, it's a nice sort of circle, um, of inspiration, um, and business
how do we create a really consistent feel, um, online and offline? And how do we sort of create seamless experiences
Jessica Park is a genuine practitioner - a CMO nearly five years into a 700-branch, century-old company who has actually built and launched a concept store - which gives her real standing; however, her answers are often guarded and managerial rather than revealing deep strategic or financial thinking at scale.
almost five years ago very much, um, came in with a respect for that
approximately 700 branches across Australia and New Zealand
A few concrete numbers appear (700 branches, 200 bathroom-focused, 200,000 vanity configurations, paid search as the lion's share) but the episode is almost entirely absent of conversion data, ROI figures, research sample sizes, cost of the Rosebery build, or any timelines - the specifics that would make the case studies actionable.
approximately 700 branches across Australia and New Zealand
it's over 200,000 different variations of, you know, vanity
The host occasionally lands a pointed question (the Bunnings challenge, the tradie-vs-consumer framing) but largely accepts vague answers without follow-up, never pushes for hard numbers or evidence, and spends the opening minutes on a generic agency-empathy detour that adds little value to a B2B operator audience.
Why can't people just go to Bunnings and get some taps?
What would you say tradies think about the brand? How would they describe it versus the consumer now?
Computed from the transcript - who did the talking, and the words that came up most.
How do you evolve a 100-year-old trade brand into a modern, design-led retail powerhouse? In this episode of The CMO Show , host Mark Jones sits down with Jessica Park, CMO of Reece Group, to explore the art of balancing legacy with bold transformation. Reece has long been synonymous with Australia's plumbing and trade sector, built on trust, quality, and deep relationships with tradies . But the brand is expanding beyond its B2B heritage, embracing a B2C and B2B2C future driven by design, innovation, and seamless omnichannel experiences. At the centre of this evolution is a reimagining of retail. Jessica takes listeners inside Reece's newest flagship Rosebery showroom, where physical and digital experiences converge to simplify complex customer decisions. From interactive tools and mood boards to over 200,000 product variations, the space is designed to help customers confidently "mix and match" and move from inspiration to execution. Drawing on her agency background, Park shares how skills like building high-performing teams, rapid problem-solving, and creative strategy translate powerfully into in-house marketing.
Transcribed and scored by The B2B Podcast Index.
Speaker A: One of the biggest challenges for brands that have been around for a long time is that you can get stuck in ways of thinking. There's patterns that you've developed, there's methods that you've proved over a very long period of time. So what does it take to do something that's very similar to what you're currently doing, but just a little bit on the edge? What does it take to really push into an innovative idea that requires lots of stakeholders to all get together and on the same page? This is the CMO Show. I'm Mark Jones. Thank you so much for joining us. This program is brought to you by Impact Institute in partnership with our friends at Adobe. Ah, and my guest today is Jessica Park. She's the CMO at Reese Group. Now, many of you will know Reese Group, of course, from their, their taps and their plumbing. This is a hundred year old business that's iconic in Australia. And for, uh, anyone who's in the building game or home renovations, you'll know exactly what I'm talking about. And interestingly enough, this is a company with around 700 stores and 200 of which are focused on bathrooms. And today we're going to learn a bit about the brand, what they're doing. And Jessica's also going to take us inside a brand new store at Roseberry and talk about how they're blending the online and offline worlds in a very creative way. An incredible focus on design, very intentional look at how people can work within certain spaces and being able to mix and match. Of course, when you're overwhelmed by all the choices you need to make from a bathroom creation point of view, uh, you know, how do you match your tiles with the taps and all the different, um, other bits and pieces. So a really creative approach to this from a marketing point of view. What's interesting is how they've been able to blend B2B with B2C and push the brand further into the retail space, um, away from or in addition to their strong heritage in the tradie space. So let's have a listen to Jessica and the story of Risk Group. Jessica, thanks for joining us. It's so good to have you with us on the show today.
Speaker B: Thank you for having me. It's great to be here.
Speaker A: I wanted to kick off by understanding a little bit about you. First. We're going to talk about, uh, Reese and some of the interesting things you've been doing over at Roseberry. But, uh, let's, um, dive into your agency world if I can first because I, uh, Know this agency world quite well myself.
Speaker B: Yep.
Speaker A: I was interested. You spent a lot of time in that space. You've been you know, working on the creative side before you came to Rees. I wonder what was the biggest lesson that you brought from that world to Rhys.
Speaker B: I probably underestimated the skill transfer. I think maybe we're, maybe we're told as agency folk that the skills will never transfer into, you know, into a marketing role. But I think you realize pretty quickly that your uh, ability to put teams together very well, high performing teams that are happy, um, and the fact that you've been able to work across so many different categories and industries and creating strategies and brands for one company after another after another after another, you know, very, very rapidly. Um, that actually that's quite an asset when you get into sort of um, looking after one business in particular. So I think that was a surprise for me. I didn't realize what an, what an asset it would be. Um, a pleasant surprise.
Speaker A: Anyway, I was going to say maybe you're not quite working as fast as you used to. I don't know the agency world.
Speaker B: I think, I think um, I think we're still expected to work just as fast and I think um, Reece at the moment has a lot of momentum so that's actually been quite helpful because it's a speed the team are used to and particularly those coming from X agency. So it's worked quite well.
Speaker A: I don't know to what extent you work with agencies but I imagine you've got a pretty finely tuned sense of what's a good creative idea and what's not. And uh, I wonder what people get wrong pitching you ideas or maybe the perspective you have is how you interpret creative ideas now in this concept. That's an interesting one I think to explore people who shift over to an in house role.
Speaker B: Yeah, I mean I think you definitely have a lot more empathy for what um, the agencies are going through and how difficult it is. Um, and you have a lot more um, empathy for I guess how much of your own personality um, goes into those ideas. So you're critiquing someone's, you know, someone's baby that they've, they've spent a lot of time thinking about. So you definitely, definitely have more empathy for that. I think the challenge is that with that experience you've seen what great work really looks like. So it's hard to, it's hard to remove that layer of expectation. You do really know what brilliant looks like and so you do expect that every time and you expect that the creative work that you're seeing is not only on brief, but it's absolutely answering business problems as well. So there's probably more of a commerciality around it now that uh, I expect that I didn't in the past. So.
Speaker A: Yeah. Nice. Well, it's interesting that you're now at a company with a hundred year history and I imagine that has its own uh, opportunities and challenges. It's not too many hundred year old companies in Australia, so that's one thing. But if we think about coming into that organization and how you've had to move forward with both a legacy, but thinking ahead, like how you evolve that brand, um, I think most people would know it from the plumbing and building side of things. Right. So it's traditionally been a sort of a B2B brand, but now we're heading into the sort of B2C and B2B2C if I put uh, that correctly. So I'd love you to set that up for us. What's that, what's that dynamic like for you with this balancing the legacy and
Speaker B: the modern M. I think, um, the first, I think the first piece is um, you need to come in with a huge amount of respect for the legacy because it is 100 years and the business hasn't reached its success accidentally. Um, so. And it's a very, it's a great brand and a very strong brand to work on. So they're I think coming in almost five years ago very much, um, came in with a respect for that. So I think it's easy to come in and start trying to um, throw the baby out with the bathwater and do all sorts of new and interesting things. And that's great. But you do need to have a respect for the history. So it's about how do you preserve that beautiful past, um, and bring what's great about Reese into the future and evolve it. So it's a brilliant challenge.
Speaker A: What would you say tradies think about the brand? How would they describe it versus the consumer now? Is that a thing that you've thought much about? There's, you know, the shorthand for what you guys are like.
Speaker B: Yeah, I think, I mean it's predominantly, as you say, it was built, um, as predominantly a trade brand um, 100 years ago. So it's very much, there's a level of trust, um, quality expertise, um, relationships, uh, across the counter that have been built with tradies over a really long time and through generations as well. Um, and a lot of tenure within the Reis business too. So um, so I think that's how they would probably describe the brand. And then in terms of um, our consumer, um, we're very much moving into much more of a design led future for bathrooms. So I think we've always been trusted for quality, uh, trusted that we're going to have range. But I think it's about moving much, much more um, further into this very sort of design led environment, um, and creative innovative space than probably what we've seen um, in recent history. So that's an exciting shift for the business.
Speaker A: Well that's probably a good excuse to talk about what you're doing in Roseberry then I think.
Speaker B: Segue.
Speaker A: Right. Perfectly set up. Uh, the photos that I've seen, it looks pretty flash, right? This is a high end boutique hotel kind of vibe, you know that I, in a gallery as well. So that's an interesting take. Um, from a marketing perspective. We've been managing this online offline retail meets digital thing for a while now. I'd be interested just to hear what was the thinking that's gone into creating this space? What's the reason for it? Why did you need it? Why can't people just go to Bunnings and get some taps?
Speaker B: Yep. Great. Well I think um, we, the research, I mean the insight came from the customer. Right? As it always does. The research showed us that we all know our customers are doing a lot more of their journey online. Um, they're coming into stores now having done all their research. They've got their Pinterest boards, um, they might have even bought tiles already. Um, and they're coming in to sort of finish that element um, of their journey. So what we realized is that that physical showroom, the human experience, being able to touch and feel and sort of see the colours and the um, materiality in person is still incredibly important for the vast majority of customers. And I think that it's really come down to the way um, bathrooms has changed um, in the most recent years, particularly since COVID It's such a considered space in the home and it's become so personal. Um, and if you think about how many personal milestones happen in that um, it's incredibly important and I think we know that our end customers are making more and more of those decisions. So we wanted to create a space where it wasn't just about coming in and seeing a product on a wall, it was about actually immersing yourself into what that unique room could feel like for you. Um, but to your point around that online offline digital is always going to be incredibly important. So we do have a lot of digital technology and AI technology throughout the store that the customers can interact with and also that our staff can use to help have the conversation, which is um, proving to be incredibly useful.
Speaker A: Can you take us through what it feels like, the idea behind it? Because I, you know, picking up on a few um, cues here, this is an emotional experience that you're creating for people. It's an important room. How do you take people through some kind of journey? I know you've got like a few different zones, um, so I'd be interested to understand how you've been thinking.
Speaker B: Yeah, absolutely. We have um, sectioned um, the space into zones and it's very much about um, moving our customer through that journey, how they behave in the store and how they make decisions. So it's set in engine yards, which is in itself a heritage building and it's a very design centered space. So essentially we're taking that kind of old shell and putting something pretty new, um, and exciting into it. And then it's about um, pulling customers into what we're calling the maker's studio at the centre of the store where every sort of decision that they might need to make is within five steps of where they're sitting. So instead of having to sort of do laps around the showroom, they can pull together swatches, um, pull taps and tiles and things around and have a look at what is you know, going to look great in their space and be able to create something there, um, either with uh, one of our experts or by themselves if they need to. Um, and we've also got a uh, vanity studio as well. Um, I think it's over 200,000 different variations of, you know, vanity, uh, so as you can imagine it's, it's almost impossible for our um, for our experts to sell but also impossible for our customers to sort of visualize. So we have the ability for them to again touch and feel, see it in different lights, be able to scroll through a digital space so that they can mix and match, um, and then upload those um, you know, to their own devices so that they, they have a record of it.
Speaker A: So, so you've got the um, uh, you've got the digital side of things. So there's a digital visualization. Uh, and you've also got this bathroom assistant. So tell me about how that works. Cause I think that's an interesting take on being able to blend those two worlds.
Speaker B: We know that people are arriving to the store with a whole lot of um, digital Reference. So they're engaging with content from pretty much every platform and channel imaginable, and bringing in mood boards, um, they're bringing paint swatches, all that sort of stuff. Um, and they have their own digital references that they want to share with you. And then as they're moving throughout the space, they're able to actually upload a digital assistant. And then as they move throughout the space, they can essentially tap and collect products that they're interested in. They can move to the vanity visualizer, et cetera, and build vanities if they want to, and collect those, essentially pulling together, um, a mood board in addition to the ones they've already got within the store.
Speaker A: So what was the core set of problems you were looking to solve in that context? So the one idea that springs to mind for me is just simply overwhelm, like, how do I choose? But I'm sure when you start looking at blending of all these, um, technologies, uh, as well as the physical experience, there's a different set of problems as well. So how did you think about that?
Speaker B: I think for us it was about very much, and we all strive for this, but how do we create a really consistent feel, um, online and offline? And how do we sort of create seamless experiences, um, before you enter the showroom, as you're moving through the showroom, when you leave the showroom, if you're starting to have conversations around quotes and, you know, that more commercial side of the discussions, that those digital elements can follow you and be updated and you've got a consistency of that journey rather than sort of, you know, looking at the website, jumping off. You get a different experience in store, then you get a different experience when you leave. And so it was really about trying to stitch that those channels together and create moments that were important. And where you found those moments, you could bring them together. And there was a consistent feel, um, that was personal to you. So that was important to us.
Speaker A: Yeah, I'm interested in understanding a bit more about that because, uh, I have had so many conversations about digital experience in the last sort of year, and we have a very. It can get very abstract, whereas this is, you know, that blending, and it's very, very tangible. So I guess I'm looking for the psychological, um, insights that you and the team have brought to how all of this works.
Speaker B: Yeah, I mean, I guess it's changed a lot in the way that people are using showrooms. So I think years ago you were seeing people come in at the very start of their journey. They'd done no Research. And they're purely using the showroom to start to gather ideas and to sort of figure out on the fly what it was that they needed. Um, you do still have people that come and go. I just want to tap, and I'll take that one. Um, but the showroom is very m. And there's many ways that you can do that. I think the showroom's very much designed and in a space for people who are generally in more of a dwelling state of mind. So they do actually want to come in and spend a bit more time getting used to what colors and materiality and designs they want. And they may come in with a certain idea and leave with a different one. Um, and that's what they're actually looking for.
Speaker A: Yeah. Okay. Um, and speaking of that, the tradies and the. And their clients, you know, what's that experience like when you. When you bring those together? Because that. That's. We alluded to that before. The B2, B2C. Um, how does that work out?
Speaker B: Um, it works exceptionally well. I think what this space does is it allows our tradies to, um. You know, there's a space that they can send their clients, so it's an easy space for them to say, um, go in and have a look at what you would like, start to pick some things. And our tradies feel comfortable that their clients will ultimately leave with something that is, um, not only looks great, but is actually decent, um, quality as well. So there's a peace of mind there for them. And also it's. I guess we're also creating demand for, um, renovations and for builds. People get inspired when they see the content, they get inspired when they're in store. And ultimately, um, creates more demand and more work, more business for our trade partners. So, um, it's a nice sort of circle, um, of inspiration, um, and business.
Speaker A: Nice. Well, if we could close the loop a little bit. If you think about some of the other brands that you've worked with in your past life, uh, and then in that context, think about, you know, the CMO M, the marketer who's listening, um, if they're thinking about customer experience, uh, and wanting to either innovate or transform it in some sort of way. What. What sort of advice would you lean into from the way that you guys have been doing it?
Speaker B: I think for us, the most important thing was doing some research. At the start, we could feel that the way our customers were shopping was changing, um, but we probably couldn't quite put our finger on what that was And I think the natural inclination is to just throw everything on digital. That's where everyone is. Um, but with the research showed us that yes, absolutely, people are still spending online and they'll continue to do so, but that the physical showroom was really important and in fact the need of the physical showroom had changed. Um, so it was further down that journey and the need to create and sit with an expert and actually build something together um, in that human experience was really important. So having that research helped to validate that and I think that then made the rest of the journey pretty easy because we knew what problem we were trying to solve and we knew what the opportunity could be and how beautiful it could be. Um, and so it's sort of, it was an exciting project for us because it's something we can see rolling out to the rest of our network.
Speaker A: So how did you bring teams along on the journey? I don't know to what extent this was a whole of company thing but I'm sure there were different people involved. And in any organization keeping stakeholders up to speed can be pretty tricky.
Speaker B: Yeah, it was um, there were a lot of um, different uh, I guess departments involved, um, most notably, I mean obviously the marketing team, um, but also um, our uh, product team, merchandising team and very much our operations team. So the network that actually will be living and breathing and working in this space, incredibly important. Um, our ah, digital teams as well, our ah, property team. So it really was a lot of people coming together to make this work and I think with anything, with any sort of transformation project or project of that scale, it was about aligning on a um, shared vision and a roadmap and for what we were trying to solve for our customers. And then it, yeah I won't say it was easy but it was certainly much easier when you're all running towards the same goal. Yeah, it's very involved and ultimately they're all very proud.
Speaker A: Um, and I didn't ask this before but how big is the company? How big is Reece? Because it's not small is it?
Speaker B: Uh, no. Um, anz, we have close uh, approximately 700 branches across Australia and New Zealand. Um, so yeah there are a lot of, a lot of humans. Ah, so yeah, not a, not, not a, not a small company.
Speaker A: And how is the um, you know, your um, split of resources across channels and budgets and everything else. How's that changing in the context of what you're seeing here? For example, um, you know, the AI side of things, which we haven't talked too Much about AI Jam, I think it's called, you know, you're going to start seeing these new opportunities come through which then give you some pause for thought about where resources should go in the future. What's going on there?
Speaker B: Um, we're always looking at team and the right structure for our team. Ah, I think most, I feel like most marketing teams are. Ah. And particularly at the moment, I mean, I think I'm not sure there's an episode you do where you don't talk about AI in marketing, uh, at the moment, which is completely understand we did
Speaker A: pretty well by the way, to get this far into it.
Speaker B: We did. We did. Yes, I will say that. Um, but no, I think it's trying to look as far forward as you can decide what type of marketing team of the future you want to be and what Reece is going to need, um, in the future. Um, uh, because we're a team that's in service of the business and how are we making sure that we've got the right humans, um, in the right roles. Um, and a lot of that relies on having just incredible generalists who are um, exceptional at being versatile, um, and using their skill set in the best way possible.
Speaker A: And what would you say is the one channel that does the most work for you? Is it, you know, trade, uh, media above the line? Is it digital? Um, what would you say? And then obviously I'm curious about how retail fits into all of that.
Speaker B: Yeah, I think the probably, I would say it would be digital and um, paid search at this stage and paid media would be the lion's share, um, of where we play, but also it would be the network support as well. So how are we facilitating, uh, opportunities and experiences for our uh, network to connect with customers and drive growth? Um, in that way.
Speaker A: Yeah. Okay. Uh, and then I'm just wondering over time because as the, the retail evolves then that might change things a little bit too. The sort of word of mouth that grows and um, maybe other aspects of what you're doing to innovate in that space.
Speaker B: Yeah, I think what it's taught us is that it's always going to change where we are going to continue to shop differently, we're going to um, continue to want different interactions and experiences and we're going to expect different things as well. And we, we do that not just because of what we're see within our existing category, but the way we're interacting with every other brand that we interact with on a daily basis. The expectations are always changing. So I think this is A brilliant step in an evolution for us, for Reece, but it's not the last step.
Speaker A: Yeah. Watch this space. Uh, good. Well, look, um, thank you for your time. Uh, I really appreciate you sharing a bit of the story. So once again, um, Jessica park, thank you for being my guest on the show.
Speaker B: Uh, thank you so much for having me. Thanks, Mark.
Speaker A: Well, I hope you enjoyed the chat with Jessica Park. The interesting thing about her career, of course, is all this time in agency land and you come in house. It's a very familiar journey for many marketers and CMOs. She mentioned the empathy that's required and balancing that with the business. And I'm sure, you know, you've probably seen that sort of thing before. But for her, being able to understand, um, the two sides is a particularly powerful thing for her. And as well as the creativity piece that she didn't anticipate, for me, it's all about understanding that the experiences that you get in all sorts of different backgrounds can be applied in interesting ways that you never imagined. And I've seen this so many times, uh, through many of the interviews that we've done. These different career backgrounds that then get, um, applied in different ways, um, we don't always know where things are going to go from a career point of view, but being able to lean into some great experiences and try something new I think is a really fantastic opportunity for her. And of course, I hope that you can take away your own insights, uh, from the story that we heard today as well. So that's it for this episode of the CMO Show. Thank you once again for joining us. My name is Mark Jones. The CMO show is brought to you by Impact Institute in partnership with our friends at Adobe. See you next time. The CMO show is produced by Impact Institute in partnership with Adobe. Impact Institute is a professional services firm for purpose led organizations. Our unique blend of of impact consulting, brand storytelling and event services help our clients create meaningful change. This episode of the CMO show was brought to you by your host, Mark Jones. That's me. And our producers, Niall Hughes and Kirsten Babels. And our amazing engineer, Ed Chang. And a quick shout out to Adobe Experience Cloud, which gives digital businesses everything they need to design and deliver great customer experiences. Visit business.adobe.com to learn how Adobe can help transform your business.
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