
The Small & Supercharged Podcast · 2025-06-12 · 46 min
Key moments - from our scoring
Substance score
39 / 100
Five dimensions, 20 points each
Alice Rivers-Cripps shares the founding story of Posh Totty Designs, a personalized jewelry brand that has grown from her kitchen table to a 21-year operation employing 50 people, predominantly women. The episode traces her journey from studying media and performance at university, through a transformative solo trip to Mexico where she worked with Mayan jewelers and discovered her passion for hand-stamped metalwork. Rivers-Cripps discovered her signature style - affordable, meaningful jewelry featuring hand-stamped words, initials, birthstones, and personalized elements - while experimenting with tin cans and various materials before transitioning to precious metals. Holly Tucker's discovery of her tiny Bond Street shop and invitation to join Not on the High Street proved pivotal, transforming her from five weekly orders to 30 daily orders. Today, Posh Totty operates with 90% online sales, maintaining hand-stamping traditions across birthstones, Roman numerals, birth flowers, and custom messages. Rivers-Cripps addresses scaling challenges around Christmas demand (requiring seasonal training academies), her expansion into Heathrow and Gatwick airports, collections like the Wild range, and her commitment to female-focused charitable partnerships including Women for Women International and Brighton Women's Center.
Alice Rivers-Cripps started after traveling to Mexico post-university, where she worked with Mayan jewelers and discovered hand-stamping techniques. After moving to the UK, she experimented with various materials (tin cans, fimo, electrical wire) before deciding to focus on precious metal keepsakes with hand-stamped personalization - inspired partly by wanting to wear her own children's names on jewelry.
Holly Tucker from Not on the High Street discovered Alice's tiny Bond Street shop and invited her to join the platform, even though Alice had no funds and the site hadn't launched yet. Within the first month on the platform, she went from 5 weekly orders to 30 daily, and eventually 1,000 daily at Christmas.
The business operates a seasonal training academy starting in September to teach hand-stamping techniques to temporary team members who help through the Christmas rush. This allows them to maintain a smaller year-round core team of about 50 while scaling production, and they've optimized efficiencies over 21 years while refusing to abandon hand-stamping as it's core to their identity.
It wasn't a deliberate policy but rather a natural result of the brand name attracting female applicants and the jeweler industry shifting to more women practitioners. Rivers-Cripps is passionate about female-focused causes (Women for Women International, Brighton Women's Center) which may also attract values-aligned female candidates.
She was inspired by wanting to put words on precious metal jewelry for herself and after having children, particularly wanting to wear their names. She started stamping quotes and names on pieces for friends and family, and eventually made it the core 80% of their product offering across birthstones, initials, birth flowers, and custom messages.
Our reviewer’s read on each dimension, with quotes from the episode.
The episode is predominantly a personal origin narrative; the few substantive business data points (NOTHS discovery, order-volume scaling, 80% personalisation target, 90% online sales, Christmas staffing academy) are not analysed or explored in depth, and large portions of the transcript are consumed by parenting anecdotes, women-in-business generalities, and social pleasantries.
I went from those five orders to, I think within the first month of being on there, I was getting like 30 orders a day...it got to the point where we were getting a thousand orders a day at Christmas
I try and make sure that 80 of our jewelry is personalized
The advice is almost entirely generic ('just do it', 'work your ass off', 'be passionate') with no contrarian positions, novel frameworks, or first-principles reasoning; the content recycles the standard founder-hustle narrative without adding a fresh lens.
just work your ass off. I think literally graft is. Is where it comes from
if you're doing it just for money, it won't work
Alice Rivers-Cripps is a genuine 21-year founder who built a real business to ~50 employees with distribution in Heathrow, Qatar Airport, and department stores worldwide, which gives her credible practitioner standing; however she is a consumer jewellery founder rather than a B2B operator, and the episode does not draw out the operational or strategic depth her tenure would warrant.
we're in our 21st year now
we also sell in different department stores and, uh, you know, concessions around the world
There are a handful of concrete data points (£2,000 annual rent for first shop, 5 orders/week scaling to 1,000/day at Christmas, 80% personalisation target, 90% online sales, 2,000-order backlog during the building closure) that provide real texture, but they are stated in passing and never interrogated, and most of the episode contains no measurable claims.
my rent was £2,000 a year
I was getting like 30 orders a day...a thousand orders a day at Christmas
The host is warm and supportive but rarely probing; questions are chronological and narrative-driven rather than analytical, there is no pushback on any claim, and the conversation drifts into extended off-topic tangents about twins and childbirth that consume several minutes of runtime with zero business relevance.
Don't you think that's why people have more than one child as well? I feel like I've taken a turn. I had twins, so in my defense
So take us back to where it started because after university you went off to Mexico, didn't you?
Computed from the transcript - who did the talking, and the words that came up most.
What do cellars and 'that space under the stairs' have in common? Both are places that Alice Rivers-Cripps developed her incredible brand, Posh Totty Designs, before the company found its home in Brighton! Alice's journey into the world of jewellery started in Mexico, when she found a passion, and developed further when she started stamping silver in a way that hadn't been seen before. Although traditional silversmiths thought she was crazy using stamps on precious metals, not only did people 'get' it, they loved it to the point that the business has been able to scale and now employs around 50 members of staff - how incredible is that! Alice is a huge inspiration- passionate, talented, and adoring of her customers, her creations, and her team. On this episode, she also shares where she got the brand's name from, an incredible collaboration, and so much more.
Transcribed and scored by The B2B Podcast Index.
Speaker A: Foreign.
Speaker B: Today's podcast, I am joined by Alice Rivers Cripps. Um, slightly. I just checked. Just read down because obviously your name is slightly different on the zoom screen, as we discussed.
Speaker A: Uh, apologies.
Speaker B: Who is the founder and creative brilliance behind Posh Totty Designs? Which, I mean, if you're anything like me, you've been a fan. I mean, I've been a fan for years and I've loved. I love the personalization. They're so pretty. I just love what you do. And I'm so excited to talk to you today about how Posh Totty came to be.
Speaker A: Oh, thank you so much. That means a lot to me, actually. It's really special when I hear that from customers, so thank you.
Speaker B: I think as well, if you. If you're kind of a lurker, like, I know I've. I feel like a lurker. You're sort of looking at. Oh, that's pretty. Or you go look at the website or. Um. One of the things I'm going to talk about later is your recent collaboration. But. But I don't know if I've sort of actively said how much I like what you're doing. So I think it's always good if you see something in someone you like, you have to tell them, whether that's on social media or in real life too.
Speaker A: I totally agree. Just, even in the street, if you see someone and you like what they're wearing, just tell them. No one's ever going to be offended by that, are they?
Speaker B: No, absolutely. And it's good to share a bit of joy and happiness. I think the world's a hard enough place for everybody. Exactly.
Speaker A: I totally agree with you 100%, which is kind of what we do. I mean, that's. That's the one thing about the jewelry, is that it's much more about the stories behind the jewelry than it is about us. Um, you know, we are creating simple jewelry that people can then put their stories onto and can put their messages onto. Um, hopefully creating those heirloom pieces that. That they'll pass on to the next generation and they'll hear the story of how those people met or, you know, the birth of that child, you know, birth of their grandfather kind of thing. You know, it's like, that's what I always wanted to kind of build from the very beginning was. Was jewellery with stories and, you know, keepsakes.
Speaker B: Yeah. I think you can buy. There's loads of places you can buy jewellery from and there's lots of very cheap jewellery. There's lots of Very expensive jewellery. But actually, that jewellery with the story behind and the meaning behind, and the fact you can personalize everything, whether it's with beautiful little stones, gemstones, or with words or initials, it makes it just incredibly special, doesn't it?
Speaker A: Yeah, it's, it's, it's lovely because when I work in the stores, I'm always amazed when the customers come in. They want to tell me all about it and their stories. Sometimes you're standing there and you're like, oh, my God, I'm about to burst into tears. You know, it's just like the meaning behind their story and their piece is so phenomenal, you know, and you kind of, you really feel it for them and you feel it with them and you can kind of, um, just. I mean, it's just. You just feel a real honor to be allowed to kind of create that special piece that's gonna make that difference to them. So it is. I mean, it's an. It's a huge honor. And we're like in our 21st year now. Um, and, um, you know, I started doing it, uh, at my kitchen table, you know, and then I. Under the stairs in a little workshop that I made, you know, many different kind of guises. Um, but it was always kind of wanting to make jewellery with heart m rather than throw away fashion pieces that, you know, we were going to put on the scrap heap. You know, I am famed for that. I was always buying from vintage stores or kind of going to, you know, I've got a. I had a mix of everything from Primark through to, you know, old vintage pieces. So it's not like I'm not, you know, I'm against all of it, but I always wanted to kind of create something that really meant something, um, and really stood for something. And I'm also kind of a word lover. I'm like a real wordsmith. So the idea of being able to kind of stamp people's words onto jewellery meant so much to me. So, um, I wasn't sure it was going to work. And when I started, um, the silversmiths in my workshop were like, what are you doing? You know, and they were like, I can't believe that you're using steel stamps to work precious metal. Um, and they were very against the idea. But actually, the customers kind of soon realized how special it was and loved that concept. So it kind of took off from there, really. So.
Speaker B: And it's worked out all right. 21 lift.
Speaker A: And we're still doing exactly the same way as when we started, but We've got a much bigger team now, but obviously, um, but they're still doing the same, the same process, you know, and it's a process that's been going for hundreds of years. You know, we've still, all of our jewelers have leather under, um, their benches, you know, and they've got mallets and they've got all the same kind of tools that they, they would have used hundreds of years ago. So, so when people come into the workshop, it always feels really, really magical and kind of really inspiring to see everyone at work. And um, we're really proud to have an all female team in there as well, um, who are incredible. Um, and it's amazing because I make the initial, um, samples, um, and then I show it to them and then they go off and create magic. So it always comes back a little bit better, a little bit shinier.
Speaker B: I love that. So take us back to where it started because after university you went off to Mexico, didn't you? And that's when the kind of seeds were planted. So can you, can you talk to us about how, how it came to you having a cupboard under the stairs like Harry Potter? How did you get to that point?
Speaker A: Um, so it was an incredible story. Like I, I came out of university, um, having studied media and performance. Um, and that was more of a decision based on I failed my A levels, I didn't know what to do. I got in through clearing, um, it was a panic. Um, but I loved every second of university, had a fantastic time. You know, it was definitely a life skill. Um, um, but came out and realized that actually the last thing I wanted to do was be an actress, you know, or work in tv. Um, I didn't have thick enough skin to kind of be able to deal with all those auditions and all of that kind of negativity that goes along with it. So I was running for the hills and I went off to travel. And the one place that I'd always wanted to go to, I'd, um, spent a lot of time in North America, but I'd never been to Mexico and it'd always been a dream to kind of cross over to there. So I, um, decided to go traveling through Mexico on my own, um, in a bit of a panic. And, um, uh, I bought a ticket and I only had $60 in my pocket and I arrived in Mexico, um, and I didn't know anyone and I didn't have anywhere to stay. Um, and um, I mean, that's a much longer story, but I slept on the beach and M I had to kind of, yeah, which isn't the safest place. Um, and I had to really kind of build friendships. Um, I bought a bicycle, I cycled off around the island and I ended up with 22 jobs on my first day, which was amazing to choose from. And I picked the one with a bed, obviously, because I need somewhere to sleep. Um, and, uh, and the kind of I that was actually working in a hotel, um, they quickly realized that I had dreadful Spanish and I couldn't really work on a reception with my lack of Spanish. So they looked after me for a bit, but they kept passing me on to different people. So I was kind of passed around the local community and ended up working with some Mayan jewellers who were, ah, absolutely amazing. Um, and, um, although there was a language barrier, um, I was able to kind of see how. I think what I hadn't realized was how beautiful it is. The process, how traditional and old fashioned it is and how simple it is. Like it was, it was much simpler than when I looked at a ring or I looked at a piece of jewellery. I hadn't quite realized that actually I could do it and I could, um, be free with it and create whatever I wanted. So it was just this moment of like, this is what I want to do. M so I came back to the UK and decided that I would try and find my signature style. Um, it took many years and I have many boxes in the Apple full of dreadful pieces of jewelry that I tried out. Um, it was also about affordability. I couldn't really afford to work with silver, so I was working with, you know, um, tin cans. I was working with fimo, I was working with glass beads. You know, it was like lots of different bits of electrical wire. You know, I tried all sorts of different things. Um, uh, and then basically realized that actually I wanted to kind of create, you know, precious metal, um, keepsakes, you know, something that people would keep, um, and love and cherish. So that's when I, um, decided to kind of launch as a brand and set up a shop. My, my absolute dream was to be a shopkeeper in Brighton. Um, and it kind of came to me the moment I arrived in Brighton. I don't know if you've been to Brighton, but it's so full of creativity. And, um, you arrive in the north lane and you suddenly see all the colors of the rain and you see all the independent stores and it's just, I've never seen anything like it. Um, and, um, it reminded me a bit of San Francisco, but On a. On a smaller, brighter scale. So I fell in love with it the moment I came to visit M and I was like, this is where I want to be. I want to live in Brighton, I want to have a shop. And I don't really care where it goes from there. As long as I can make jewellery in a little shop, I'll be the happiest person on the planet. Um, and so that's where it started. Um, and then Holly Tucker from Not on the High street came and found me in this tiny little shop that I had opened up an alley. Um, I always believed in having the worst shop on the best street. Um, so, um, we decided to kind of try desperately to get as close to the best street as possible. And I ended up up this little tiny alley on Bond Street. Um, and my rent was £2,000 a year, so. Right. Amazing. But it had no shop front, so I was literally. It was very, very hard. And without the aid of the Internet, I don't think it would have worked. Um, but it was. It was a tiny little place where I could make my jewelry. Um, I could set it up like a shop. People would come in, you know, the bell would ring, people would wander in and they would kind of talk to me and I might sell five pieces a week. Um, which probably was never going to. You know, I probably couldn't have survived for long. Um, but Holly Tucker came and found me in that shop and, um, immediately, um, said, we need you on not on the High Street. At that point, I didn't even know what not on the High street was. Um, she hadn't even launched it. So then.
Speaker B: Wow.
Speaker A: Yeah. So then we were able to have conversations. And from there it was very much a case of, you must come on. And I was like, well, I don't have the funds to be able to pay to go on, on this site. I've got no idea what it is and I don't have any money. Um, and, uh, so she basically was like, okay, I'll take a punt, you know, we'll get you on the site. Um, and we became the top seller on that site for many, many, many, many years. It was. I mean, it was incredible. Um, I went from those five orders to, I think within the first month of being on there, I was getting like 30 orders a day. Um, and then it went. I was like, okay, I need help. Um, and then it got to the point where we were getting a thousand orders a day at Christmas. Um, so it was.
Speaker B: That's a lot from five a week. I mean, that is quite a. Quite a climb.
Speaker A: Yes. It was mental, um, and incredibly tough at that time. I mean, amazing and very exciting. Um, and, um, you know, I had the energy to be able to cope with that, but it was also like I was pulling in friends, family, the local dog. I mean, anyone I could find to help me produce it. You know, it was kind of. I mean, it was mental. And we were all in this tiny space, and we all kind of felt like we were little elves kind of working away. Um, and. But obviously from there, I expanded. I took on a team, and I kind of grew and developed there, um, to what we are today. So, um, yeah, without. I don't. I always believe that without Holly Tucker coming and finding me, I don't know that I would have, you know, whether we would have. Be where we are today or whether I'd even still be making jewelry. Um, you know, so she was quite a catalyst.
Speaker B: Big fans of Holly. I mean, she does so much of the small business community. Even now that she's, you know, not with. Not on the high street, she does something different. She does a lot, doesn't she? She really flag waves for the small, small businesses. The independence, which is so good. So obviously you're really well known for the personalized aspect, for having, you know, if. If anyone's listening that hasn't gone to the website, go to the website now. It's beautiful. You can. You can have, say, gemstones in lots of different designs on lots of different pieces. But did you start with the personalized side of it or did that evolve?
Speaker A: Um, I started with personal. I mean, obviously when I. When I say I started, that was my signature style. So once I established that I wasn't going to be working with bits of electrical wire and stuff. And, you know, as soon as I moved on to working in silver, uh, I wanted to put words on it, I wanted to put my name on it. I want, you know, and then I think the moment I had my own children was also a moment where I was like, this is gonna work. Like, I really, really want to wear my children's names on a piece of jewelry around my neck. I want to have them everywhere. I want them on a ring, I want them on a bracelet. You know, the whole works. Um, so I think that definitely inspired me. Um, but I was already doing, like, the odd name. But to be honest, I was doing lots of quotes, you know, like my, like, funny quotes that I had. I was always stamping that on things and for friends and family. Um, you know, so it was always there, but I didn't really have the funds, so I was always, um, testing out my stamping on tin cans. So many. You know, you can't do that now because it's got, it's, it's. It bounces when you try stamping on a tin can. But back then, it used to be perfect. It was like, lovely. Um, so I'd cut tin cans open and then flatten them with a hammer and then use them to kind of practice. Um, so, yeah, it's always been a thing. The personalization has always been a thing. And I think, um, that's what makes it unique. I think there's so much jewellery out there. Um, and there's incredible jewelry out there. Like, you know, there is. I could name, you know, 20amazing designers. But one thing that I always felt was quite special was just that element, uh, of making it yours, make it unique and m. Personal to you.
Speaker B: So, yeah, I think there's not many brands, please correct me if I'm wrong, that have kind of got the personalization built into the level that you have. You can sometimes get an initial put on the back of something or the back of something engraved. But the personalization is, Is an essential part of, of posh Totti products, isn't it?
Speaker A: Yes. I mean, it's, it's, it's definitely, definitely our core business. It's definitely what makes us get up in the morning and makes us passionate and. And I'm almost. I would say that I try and make sure that 80 of our jewelry is personalized. Um, I think we, you know, we. I'm always trying to work out new ways. You know, it's kind of Roman numerals. It's, um, you know, we do birth flowers, we do birth birds, we do star signs, we do, you know, nautical flags. We've kind of, you know, we've crossed everything off in terms of personalization. Um, and the most important ones being the birthstones, I would say, is like, I, I think, you know, obviously the hand stamping of letters is so different to an engraving machine. You know, we are hand stamping each, each letter on there. So every jeweler who. They've all got their own style, their own signature style, but they, but they still end up making it look absolutely beautiful. Um, but it's still done by humans, so it makes it even more special. Um, but the stones, that's just something that's so incredible just to be able to get your whole family on a bangle or on a ring, um, and know that every single One of those stones represents someone in your life is something that's really, really special. Um, and you can also have words with it, you know, so we kind of, we've got all of that, but I would say also that we do some really, really strong collections that are non personalized as well. So, um, we've just started selling in Heathrow Airport and Gatwick, soon to be Gatwick, um, but we're in Heathrow, um, Qatar Airport, um, and, um, we also sell in different department stores and, uh, you know, concessions around the world. Now, all of those aren't personalized, but they're still really, really strong in their design. So I, you know, I get, um, a real kick out of creating a full collection that looks beautiful. Um, and then sometimes I'll go back to it afterwards and be like, now how can we personalize that? So, you know, sometimes, like, for example, the Wild collection, which we recently launched,
Speaker B: um, such a lovely collection, it's absolutely gorgeous.
Speaker A: And we just, currently, we just did that recently with, um, Hannah Cooper Domit. Um, and, uh, all of those pieces are absolutely beautiful in their own right, but then they also have that element of you can change that stone from being a diamond to being your birthstone, or you can have some, you know, a message on the back that is engraved on the back or hand stamped on the back. So, you know, we're giving people that opportunity to kind of personalise.
Speaker B: It still does the personalization aspect, obviously, that's very time consuming because I know you make, you know, you have, you make them, you have them stamped. Does that made it difficult to scale at all? Or does the integration of the ranges that people can buy without personal personalisation? Or is it just so fundamental to what, to your core that actually it's just how it is?
Speaker A: Uh, it's a good question. I mean, it is, it is. I guess the whole point with the collections that we've just done for Heathrow and stuff is, is much more about that kind of ability to scale. Um, so we are trying to prove that we can do that. Um, but I would still say that at the very core and the very heart of what we do, it is personalized. And that does come with its challenges. So at Christmas, when the orders suddenly double, you know, we have to bring in a whole massive team of people that we, you know, we have like an academy from about September onwards where we train people in how to hand stamp and, and then we kind of work with them through Christmas to kind of, uh, get those orders out because. And actually everybody in the team is, is there trying to do what they can. Um, but it's, but we've kind of over the years, I mean when we first started it was so Dr. In that respect. But now over the years we've managed to iron it out so that we're busy all year round. We can keep a team all year round. Um, we have an incredible team. Um, but yeah, I think we've all, we've worked, we've mastered the efficiencies as much as possible, but we don't want to. I think if we stopped in personalized, that would be that, you know, that's our identity. So I feel like we always want to continue with personalized. It's about how we do it better and how we can, how we can scale it. So I mean we have done personalization stations before which were great. We did those in lots of different, um, pop ups across, you know, all the different department stores. And that was always really fun to do. Um, but that also is quite costly. Whereas we've got this amazing workshop where we've got all the tools, everything ready to go. And ultimately we're really, really fortunate that 90% of our sales are done online. So we can, we can send worldwide. Um, and that's what really helps us. So I think, you know, I think we're also quite lucky because sadly the high street is in decline, you know, and the Internet is where people are going. So, you know, it's come at the right time. Um, and I think although I'm a shopkeeper at heart and I will always continue to have shops, um, and I love them very much, um, we definitely wouldn't survive if we just had the stores. We definitely need to have that online presence.
Speaker B: No, no, I think, I think they're really good points. I guess the beauty of then having that online presence is you can have that well, well tooled up workshop with your incredible staff. They don't have to be all across the country because you can ship from anywhere from that one point.
Speaker A: Yeah, yeah, exactly.
Speaker B: And you mentioned that you're. You've got a workforce of around 50 now.
Speaker A: Yes.
Speaker B: And they're predominantly women, which is awesome. I mean it's great. But has that been quite a conscious step or has that just been how it's evolved or how, how is that?
Speaker A: I always feel incredibly guilty about this because I think, oh my God, it sounds terrible. Um, but no, I mean I absolutely, it's not been a conscious thing. I think if I'm honest, a brand name like Posh Totty Designs, you're only going to get more women. You know, it's. It doesn't necessarily appeal to many men. Um, we've got some fabulous men working for us, but we do only m. Have five.
Speaker B: Fair enough.
Speaker A: Yeah. And my husband being one of them. Uh, so, yeah, so it's. It's not, you know, we would never, ever not want to have men in the. In the business. Um, but I would say, and it's quite an interesting one because when I first started most, it was mostly men that were jewelers. So in my workshop, I was one of the. I think there was like two females and the rest were men. Um, whereas now it's like so many females are jewelers. So, you know, I. I'm not sure how that's worked and, you know, whether that's the same in all businesses, um, of our kind. But, like, it's definitely just been women coming through the door.
Speaker B: No, that's fair enough. No, I just think it's really cool because I know you're. You're hugely pro women in business. You're part of. By women built, aren't you, or.
Speaker A: Yes.
Speaker B: Such a cool organization. And, you know, uh, you're obviously an amazing female founder. And I just thought, I wonder if it's. But then do you sometimes think it's actually sort of. Because you're so passionate about those things, you attract people who share those passions and that could just be with more women than men because it's who you are.
Speaker A: Absolutely. I mean, we do, you know, we work with Women for Women International. We work with Brighton Women's Center. You know, like, there's an awful lot of charities that we work with which are female. Um, you know, they're definitely suited to women more than men. Um, and also, I guess, you know, it's jewelry, it's female. Um, I really, really care about everything. You know, I care about the sustainability. I care about creating these magical, meaningful pieces. My team are very passionate about what they do. So, yeah, I mean, that would make sense. But I've also got two sons. So although I'm forever shouting female founded and, you know, female team, I'm also really aware that. That they're, you know, male. They can't, you know, they can't help it.
Speaker B: No, but don't you think it's. I've got two sons and they'll sometimes say things. There was somebody. I can't remember who it was. It might have even been Holly Tucker, you know, who said something like her son asked if men could be. Um. I feel bad If I'm misquoting Holly, but feel like her son asked, or someone of that kind of level of prominence, if men could be entrepreneurs, too. If men could be leaders in business. And I just thought, I. I don't want my sons necessarily say that, but I want them to see.
Speaker A: Yeah.
Speaker B: That we're all equal. We can all do amazing things. It's not. Other men are the CEOs.
Speaker A: No. Uh, exactly.
Speaker B: And the women are the admin assistants. I mean, if they want to be.
Speaker A: Absolutely.
Speaker B: But it doesn't matter. And everyone should be respected for who they are. And they'll sometimes say things, and I kind of think. I think they're getting it.
Speaker A: Yeah, absolutely. Yeah. No, 100am I. I mean, my sons have both been in the business from day one. Um, and, um, they are, you know, they're just as passionate as I am. But interestingly, like, my. My eldest son, who's 17, is. Um. We went last year, last week to go and visit a university because he wants to study business and economics. Um, and I'm so excited about the idea of him being in the business because he. Yeah, he really gets it, and he really understands why I'm doing it and the purpose behind it. Um, and I think that's, you know, that's so important. I think we've just. We've just got to keep educating them. And to be honest. Yeah. That is. We are very few. Unfortunately, when you actually look at the statistics, there aren't enough of us. So, you know, and I think by women built. I think Sahar is bringing that to the forefront all the time. And Holly, um, that we need to do far more. Like, you know, I get really excited because it's all I've ever known. So I kind of. When people say, oh, you know, how is it difficult being a woman in business? I'm like, I don't know, because it's all I've known.
Speaker B: Just am.
Speaker A: I just do it. Like, I don't know what I'm doing most of the time, but I just do it. Um, and. And I guess that's kind of what I've always done. Um, and yet there are, you know, and yet there are big challenges that women are facing all the time. So we. It needs to be recognized. And maybe I've been lucky so far.
Speaker B: I mean, I think. I think a lot of hard work. I mean, let's be honest, I've got this thing about luck. And I know we all get the odd, like, lucky break, but I think when you sort of unpick luck, There's
Speaker A: a lot of the stuff at the
Speaker B: back end that makes it so when that thing happens, you're in the position
Speaker A: to do it 100%. I would say luck has definitely factored in there, but I would say that it's been about taking those opportunities, running with them, saying yes to as many things as possible. I mean, I possibly used to say yes to too many things. And I'm probably learning a little bit more about saying yes, um, and just being positive. Just like always being positive, um, and realizing that the only cheerleader, you know, your number one cheerleader's got to be you. So I. From the very beginning, when people were going, oh, I'm not sure about this, you know, I was like, yes, it's amazing. And you kind of had to. And I felt stupid doing it. And I didn't always feel like this was where I wanted to be saying that, but I was like, no one else is going to say it. I've got to say it. I've got to believe. And if I believe, then hopefully everyone else will start to believe as well. So, um, yeah, I believe that. That. And that's more than luck.
Speaker B: No, absolutely. I think about your whole kind of business journey so far. All business journeys have highs and lows. Those sort of highs when you think of winning at life, and those loads when you just think, why am I bothering? Can you share a high and a low or anything that stands out from your journey so far?
Speaker A: Um, so my high, I guess I've got two highs. One was going with, uh, Women for Women International to Kosovo a few years ago. Um, and I went out there and met women that had been affected by war. Um, and, um, they were just the most incredible women I've ever met. And they kind of embraced me. Um, and, um, we created a collection together called the Share a Hug Collection, um, which was actually just before COVID and then obviously with COVID that kind of flew out the door. Everybody.
Speaker B: What an unlucky name. Based on the timing, but I love the idea.
Speaker A: Oh, uh, it was amazing. But also, it was just like, I had these. These stories that these women were telling me were just so unbelievable and. And some of them just so tragic and, um, you know, and just, they were so resilient and so strong. Like, this woman gave birth on the side of the road, and the soldiers wouldn't let her have any treatment or anything. And she managed to do that. You know, another woman had to hand her baby over, uh, to a guy on the bus and watch them drive off with her B baby. Because she wanted her baby to be safe, you know, And I was hearing firsthand these stories and these people telling me, and I just felt so incredibly honored that they wanted to tell me. Um, but also that we were able to then create this collection that meant so much and that we were able to then raise funds for such an incredible charity. Um, so, yeah, and we. We still work closely with them today. And. And they are amazing. So that was like, one high. And then on a more kind of personal, you know, slightly celebrity based thing, we had a launch party a couple of weeks ago and we had Davina McCall there.
Speaker B: Uh, I saw this, I saw this on your Instagram and I thought, I mean, I love Davina. I think Davina's incredible. But Hannah, who I know you've created a collection with, is also amazing. And Joel came as well, didn't he? Yes.
Speaker A: Yeah. And there was quite a few. There was like the Saturdays. Yeah, like, it was like, you know, Rachel Stevens. I mean, it was Jody Kidd. Um, it was fantastic. They were just such a warm bunch of people. I was obviously terrified and very, very nervous about having to go and launch this collection with them, but Hannah held my hand the whole time was the warmest. You know, we've been working together for about a year now. I met her at a party and. M. We've been working for about a year now on creating this collection. And what was lovely was that she was so involved the whole way through it. So she was really into the creative process. Um, and actually so creative and so talented. M. And, um, so we kind of created this collection together and she would kind of tweak it the whole time and be like, sure, you know, can we work on that? And. And it was just so nice and refreshing to work with somebody because at the moment, you know, I'm still the creative director, I generally do all the designs myself. So to have this kind of back and forth with, with her was wonderful. So we're going up to London and hanging out and she came down here and we did a ring making class together and all sorts of different things. So it was just, you know, we've become friends and it was like, so lovely. Um, so to just have this big blowout at the end and to have all these fabulous people in the room, I had to stand up and talk to them all. And, uh, and then, you know, we might have overdone it with the margaritas and the.
Speaker B: Would have to. It would be wrong not to at that point, I think.
Speaker A: But no, it was fabulous. So that Those are two highs. But, um, you know, and obviously just, you know, I'm very lucky to do what I do and have a creative team around me that are amazing. Um, that goes without saying. But, um, but yeah, and then in terms of negatives, you know, like the, the, the difficult time, um, last year we had a really tough time. We had, uh, the council decided to close our building that we'd been in for 15 years.
Speaker B: I mean, that definitely feels like a tough situation. Is this where your workshop was and everything?
Speaker A: Yeah, the workshop, the whole thing was there. Uh, um, um, and they came in and on a Friday at 9 o' clock at night, closed the building without any, you know, without any notice, period at all. And, um, it was pretty shocking. And, um, we had to go to the press. We had to. I was, I was on the front page of the local newspaper, I was on the radio, I was on the tv. Um, and it was just absolutely shocking. Um, and so that was something that I would never have expected. Expected. And I, you know, you kind of have all these ideas of like, what could possibly go wrong in your business and, and, you know, contingency plans and stuff. And the one thing that you never think is that the council building is going to get suddenly taken away from you. So that was pretty shocking. Um, and actually doing that on my own because I own the business and it's, you know, and it's all on me. It was so hard to know, to navigate, to be. You know, I had this whole team of people that I was like, well, I've got to keep paying them because they've got to keep. Pay rent and they've got to keep paying their mortgages and they've got to pay for their kids to go to school. You know, I can't just stop paying them, but what am I supposed to do? And then it was like, hang on, I've got a backup of 2000 orders that need to get out the door.
Speaker B: Oh my gosh. It's the responsibility of those moving parts.
Speaker A: Exactly. And, and you know, it was like, how do I let the customers down? Well, I can't let the customers down because that would be so damaging for our reputation. You know, my team were incredible. We started to work wherever we could. People were working from home, but, you know, we didn't have the tools, we didn't have everything. We couldn't get in the building, you know, so it was all pretty dramatic at the time. Um, but from there we actually moved out and, um, we're now in an amazing new workshop that I probably would never have moved to had it not been for this. Um, so now I look, I feel so kind of free. And, you know, it's beautiful where we are. We're right in the center of Brighton, very close to the seafront. You know, it's a big Regency building. We've got the whole place. We've got a big workshop. My team are the happiest they've ever been. So actually, it's all, you know, it wouldn't have happened, and now it has. So it's kind of like, let's move on. And I think that's the point with being, you know, a business owner, uh, is that you have to forget and move on. If you keep holding on to little things, it will just destroy you. So I feel like, you know, and also, I think I'm a bit, like I've always said, I'm a bit like a goldfish. I go once around the bowl and then I forget. Um, and it. And it's brilliant because it keeps everything. I'm like, yep, okay, so let's try it again. Let's wake up today and try it again.
Speaker B: Don't you think that's why people have more than one child as well? I feel like I've taken a turn. I had twins, so in my defense, um, I didn't have a lot of say in that. But I know when I had the boys, the whole thing was quite traumatic because, I mean, it's. Even if it goes well, it's, you know, it's smart. Straight back in there. And I love that about people, because otherwise a human race wouldn't survive. But I wonder if we have this inbuilt thing going. That was awful. We should do it again.
Speaker A: Do you know what, though? I think you're totally right. I think there is almost like, if it's. If it's that bad, you just. You block it out and then you just. Yep. Okay, back to it. Let's try it again. You know, so. Yeah, I think I definitely agree. Yeah. The first birth was, um. If you want to go down that route, nightmare. So, yes.
Speaker B: See, and you went. You went a second time.
Speaker A: Yes.
Speaker B: I just like to feel I was. I was, well, efficient. I mean, I don't. Not deliberately efficient, but, um, I think that's amazing. I didn't think that the time to
Speaker A: have two, to suddenly have to, like, manage two kids, it was hard enough with one.
Speaker B: Although, touch wood, they were really like, I know you can't have good babies and bad babies because babies are just babies, but they. They were quite chilled. I had people, I had friends who had one child who was a lot harder work than the two. They seemed to.
Speaker A: They kept themselves occupied.
Speaker B: Yeah. Yeah. And they coordinated their sleeping.
Speaker A: So I think it's definitely down to the sleeping. And that was one thing I would say, is that my husband had a restaurant when my. When I first had my child. And, um, there was no question of anyone, you know, of me staying up all night because I had orders to get out. I was like, I. I actually had. I just opened my first shop when I ended up pregnant.
Speaker B: Oh, gosh.
Speaker A: So that shop that was up the alley that I was talking about, um, I ended up heavily pregnant in this very narrow alley. Um, and, um. And I ended up having my son under the counter most days, and I'd be rocking him in a car seat under the. Under the. I love that, though. He didn't know. He was fine. Um, you know. And, uh. And then at night time, I was like, I've got to get those orders out. So I was like, you've just got to go to sleep. There's no choice in the matter. And I do think there's something about that. If you. If there is, if you want to stay up and hang out, then fine. But if you actually set a full routine, you know, I know that it's not like that for everybody, but there is an element of routine, and then things do get easier.
Speaker B: So the juggle, though. I mean, I know you said your. Your eldest is 17 now. Yes, the juggle, though. It's a lot, isn't it?
Speaker A: Yes.
Speaker B: Juggling all the bits and trying not to drop too many balls all the time.
Speaker A: Yes. And, uh, you know what I find very interesting is how I get so excited and love every day and I'm like, oh, my God, it's amazing. I love what I do, you know, And I get really excited by every new design still. And I'm kind of like, when something. When we kind of create a collection, it's so exciting. And then there are days where I'm like, oh, my God, what am I doing? Like, you know, I'm exhausted and I'm m not doing it right. And, you know, we all, you know, I. Especially at the M moment, I've got boys, both boys, going through GCSE and A levels.
Speaker B: Oh. Oh, that's. I mean, it's horrible one, isn't it? Let alone the two.
Speaker A: And so I feel like I'm never performing enough. I feel like I'm never there enough. I feel like I'm over there doing something else. They come in and they're like, oh, mom, you're on your phone again. And I'm like, no, but it's really important, I promise, you know, and it's kind of like you never feel like you're quite doing it right. So, yeah, even when you, you know, who knows?
Speaker B: Juggle is a laugh. I don't think anyone feels they're doing it right. From people I've spoken to, no one feels they've got it sorted. But I think that's just life. Get one thing sorted and then something else crazy happens.
Speaker A: Yes, exactly. In our place, it's like, there's always a whack, a mole. There's always. We're always whacking something. 100.
Speaker B: Um, before I ask you all the plays, is there any sort of. If you, if you're thinking of people who are starting on a business journey and maybe thinking of perhaps starting a side hustle or wanting to grow their business, what. Are there any sort of nuggets of advice that you could share that you've picked up from your, your years?
Speaker A: I would say definitely do it. Um, but don't wait for the financial investment. Don't wait for, uh. I feel like a lot of the time people sit, sit and they wait and they're like, oh, I've got this plan and then I've written this whole business plan and, and I've got all these ideas and I'm going to, when I'm ready, I'm going to show it to the, to this person or whatever. It's like, just get on and do it. You know, like, I'm a real person for. Just get on and do it, though. That's probably my mantra. Um, and, and so therefore, it's like, with what I did, I was making. I was working full time in the day and then in the evenings I was making, um, and I was, was giving to friends and family. And then I was kind of going out there going, come on, take it, someone, take it. You know, and then I was doing like a little trade show or I was going around to shops going, please will you have my stuff in your shop? You know, it was like I was never stopping. I was forever thinking. It took up so much of my time and, uh, my energy because I was so passionate about it. And I, I do believe that if you're doing it just for money, it won't work. If you're doing it because you think you've got this amazing idea that the world needs to see and needs to Be part of and needs to have, then go for it. Because I feel like you can't go wrong if you really, really believe in it. You can't go wrong. I've got the seagulls making a racket here. Sorry. Um, whereas I think, Yeah, I think just. Just do it for the right reasons and then just work your ass off. I think literally graft is. Is where it comes from. And. And if you love it and you're passionate about it, you'll do it till midnight every night. You know, it's like, it's about putting time in and the effort and the energy.
Speaker B: Yeah, I love that as well, because another thing I've got from our conversation and when I was doing the book, I spoke to Emma Bridgewater, who.
Speaker A: Who's a legend. Yeah.
Speaker B: Oh, gosh, she was amazing. Um, I was. But I'm very kind of pro. People starting small, obviously some businesses you need a big chunk of cash to get going. But I think what you said there, some people think, well, I'll do it when I get. Get a hundred grand, two hundred grand. Most people can start our business to start trying testing and iterating with very, very little investment.
Speaker A: Yeah, but I started on the back of a tin can. I mean, there you go.
Speaker B: Can't get much less than that, really, can you? But it is.
Speaker A: I totally agree. I've never. I never ever got any financial support. When I started, it was very much just kind of navigating and, um, going for every opportunity. You know, like a craft fair is. Is simple. You can go and do one of those. You know, it was like, rather than buying clothes on the weekend, I was spending it on buying silver. You know, it was like I really wanted to do that more than I cared about anything else. So, you know, I wasn't going to the restaurants, I wasn't eating out. I was making sure that I was spending it on my business. And I think that that's, you know, I built my first website on my own downstairs in the basement. You know, it was like I was kind of like, I will create this. So it. That's, you know, and also having the support from my husband, who was like, don't worry, you can stay down in the basement for a bit of time making a website. You know, I'll cook dinner.
Speaker B: I said, take it out of context so you can stay in the basement for a bit. Isn't ideal, is it? But, uh, in this way, I know it's very, very positive.
Speaker A: That sounded very wrong. You might need to cut that one.
Speaker B: No, I Love it, I love it. Actually, one last question. Why is it called why is your business called Posh Toddy?
Speaker A: Okay, that's, that's a good, a good question. Because I don't really tell people enough. So actually when I, when I grew up, my, um, my mum was a single parent mum, absolutely fantastic mum. Um, and she sent me, I got an art scholarship, um, and I was growing up in Nottingham, um, and then she got this incredible art scholarship to a school down in the, um, New Forest. Oh, wow. Boarding school. And, um, she didn't want me to go because she, you know, it was like the two of us were like best friends. You know, she was there wanting to hang out with me all the time. Um, and I was like desperate to go. I was like, this is amazing. Like, you know, um, so she, in the end, she was like, okay, fine, we'll send you to boarding school. So I went off to boarding school, had, um, a lovely education. And then my mum couldn't afford to continue to send me there. So I was there for a few years. Loved it. Had this art scholarship, walked around with a jumper that had a little easel, a little, um, palette, paint palette on my, on my jumper. So it was almost like, I'm a prefect, I'm cool, I've got this, you know. And it was, I really believe it was like the root of my creativity. It was where I knew the one talent that I had was making things. Like I had this artistic talent that no one could take away from me. So even though I was rubbish at sports, I was rubbish at maths, all these things I still had that. Um, and then my mum had to drop me into. Well, she didn't have to drop me into the school she dropped me into, but she basically had to take me out of the school I was at and dropped me into an inner city state school in central Nottingham called.
Speaker B: That's quite a contrast.
Speaker A: Yes, a massive contrast called Ginogli City Technology College. And it was, it was great, but it was, it's, it's incredibly rough and it's, it's probably not the best school in, in Nottingham. Um, but she dropped me off there and as soon as I walked through the doors, I was known as Posh Totty. And I used to get really upset, um, and I used to cry a lot because I was like, I'm being bullied. And like, they would be like, oh, here she comes, you know, Posh Tot. Um, and I couldn't help it because I had this posh voice that, uh, you know, I got, um. And so when I was trying to think of a name, I just thought, actually, maybe after all these years, I should try and use it for good and kind of. It's a catchy name. It worked then. It works now.
Speaker B: No, I love it. It's actually. That was my third question down, but I got distracted. That's why I have some notes. I know it's a really cool name, but. But it's nice to. You kind of turn that on its head, haven't you? Really? You've turned that negativity you received to something really, really positive.
Speaker A: Yes. And I. And I hope, you know, it's funny because obviously we went through, you know, Trump era. We're still in Trump era. But, um, you know, there were moments where I was like, oh, I wish I hadn't called it that. But actually, the one thing about it is it's, um, very memorable. It makes people smile. Um, the amount of people that go and pose outside the front of the shops when, you know, they're like posh totty, you know, kind of. You get all the hens posing outside the front. So it kind of. So it works in so many ways because it's catchy and memorable, and it would have just been called arc Designs or something if I'd just gone for my name. So I'm actually much happier that I did go for it, but there were moments of nervousness.
Speaker B: Is there anything else you'd like to share before I ask all the places where people can find you online?
Speaker A: Um, no, just that. Yeah, I. Thank you so much. It's a real honor to come on here and a real privilege. And you've had some incredible guests on your, uh, on this podcast. So, um, I'll be listening to them and you. And you're.
Speaker B: You're incredible. I'm really, really grateful you said yes. I know. We tried to get it arranged, and I think I went. I think the book just took my brain over. Uh, and I was like, I really
Speaker A: want to get you on. No, I think we were. We were so crazy as well. So I think, yeah, it's lovely to finally be here. Um, but, yeah, and I also have a podcast called show us your bits.
Speaker B: I mean, it's a brilliant name. Brilliant podcast.
Speaker A: It is. It's all about. Actually, it really relates to what we do. So it's basically, I do it with, uh, my friend who is, um, a talented author. Um, and, um, she's really into storytelling. Um, obviously she's, you know, she's written, like, 25 books. Um, and, um, uh, together we decided to kind of create something that was all about the stories behind people's children. Jewelry and the keepsakes. Because everybody has got keepsakes that have been passed down through the generations, and they don't have to be jewelry. It could be like a candlestick or a pen or just whatever those memorable things are. Um, and we've just had some incredible guests that have come on to talk about their lives, but then they've also talked about their special keepsakes. And, um, yeah, I love doing it. I mean, it's definitely, you know, something that I do for fun, but it's just we've had so many fantastic stories. So. Yeah, you should.
Speaker B: Come on. I would love to. I. I am here. Tell me where and when, and I will be there.
Speaker A: Fabulous.
Speaker B: Awesome. Remind us all the places we can find you online.
Speaker A: So you can find us on our website, which is www.poshtottydesigns.com. i don't know that you have to do the www.anymore. uh, yeah. And you can also find us on Instagram at Poshtot Designs as well. And then we also have, um, a store in Islington on Camden Passage, and we have a store in Brighton on Sydney Street. Um, and you'll probably find us in lots of concessions in department stores as well.
Speaker B: Amazing. Thank you so, so much.
Speaker A: Thank you so much.
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