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Index/Marketing/Marketing Expedition Podcast with Rhea Allen, Peppershock Media
Marketing Expedition Podcast with Rhea Allen, Peppershock Media artwork

Mastering Design and Client Collaboration: Insights from Graphic Designer Christy Hudson | Marketing Expedition Podcast

Marketing Expedition Podcast with Rhea Allen, Peppershock Media · 2026-06-25 · 37 min

0:00--:--

Key moments - from our scoring

Substance score

18 / 100

Five dimensions, 20 points each

Insight Density4 / 20
Originality3 / 20
Guest Caliber3 / 20
Specificity & Evidence5 / 20
Conversational Craft3 / 20

Christy Hudson, a graphic designer with over a decade of experience and a BFA from Boise State, discusses practical strategies for effective designer-client collaboration. The episode covers concrete approaches to briefing designers - including creating mood boards, gathering inspiration photos, preparing detailed synopses, and using tools like ChatGPT to clarify creative direction rather than generate final designs. Rhea and Christy emphasize that clients should show rather than tell their vision, ask questions during the design process, treat feedback as a gift, and remain open to unexpected creative directions. They walk through successful projects including the Ripley Dorn logo rebrand (which helped the accounting firm recruit younger talent), Adams Gardens website updates, the Courage to Connect mascot Zeb the Yeti, and Youth Advocacy Coalition fundraising merchandise. The conversation reveals how Peppershock uses discovery processes, client polling, and collaborative brainstorming to ensure designs serve both aesthetic and business goals. Christy shares insights about learning from diverse clients and the importance of clear communication even when clients lack design terminology.

Key takeaways

  • →Show inspiration photos and mood boards to designers rather than trying to describe designs verbally, since most clients lack design terminology to express what they want.
  • →Ask for 24 hours before giving feedback - creative insights often emerge after your subconscious processes ideas, leading to better direction than immediate reactions.
  • →Treat designer feedback as a collaborative gift, not criticism; digging deeper into why you do or don't like something helps designers understand your brand vision and target audience.
  • →Use AI tools like ChatGPT not to generate designs, but to ask clarifying questions that help you articulate your creative vision and communicate it more fluently to your designer.
  • →Engage your stakeholders in the design process through polls or participation - people who feel ownership of design decisions become brand advocates and are more satisfied with final results.

Guests

Christy Hudson

Topics in this episode

Graphic design process and client collaborationMood boards and inspiration photographyDesign terminology and visual communicationRipley Dorn logo rebrandAdams Gardens website and social mediaCourage to Connect and Zeb the Yeti mascotYouth Advocacy Coalition fundraising merchandisePeppershock Media company cultureDISC personality assessmentsWordPress web design updates

Questions this episode answers

How should I communicate my design vision to a graphic designer if I don't know design terminology?

Show inspiration photos and mood boards instead of trying to describe what you want verbally. Designers can then break down the specific elements you're drawn to - shapes, layout, colors, or typefaces - so you don't need to know design terms to articulate your vision.

When should I give feedback on design work?

Wait at least 24 hours before providing feedback. Creative insights often emerge after your subconscious has time to process, and sleeping on ideas leads to better direction than immediate reactions based on first impressions.

How can I prepare a creative brief for a designer?

Write out a synopsis with descriptive words and adjectives about what you want. You can use AI tools like ChatGPT to ask yourself clarifying questions that help you articulate your vision, then share those descriptions with your designer to create a stronger creative brief.

Should I involve my team or stakeholders in the design process?

Yes - having stakeholders participate through polls or feedback on design options makes them feel ownership of the decision, increases satisfaction with the final result, and can even expand your business reach, as happened with Ripley Dorn's recruitment efforts after their logo rebrand.

What was a notable rebrand project Peppershock completed?

Ripley Dorn accounting firm hadn't updated their logo since the 1990s; the rebrand featured a modern geometric design in emerald green that signaled finance and growth, helping them recruit younger CPAs and expand their candidate pool.

What our scoring noted

Our reviewer’s read on each dimension, with quotes from the episode.

Insight Density

4 / 20

The episode is almost entirely filler: internal agency chatter, volunteer recaps, and anecdotes about swag deliveries. The few 'tips' offered (ask for inspiration photos, ask what they don't like, less is more) are so basic they add no value to any experienced B2B operator or marketer.

having inspiration pictures is great because a lot of people don't know design terms
feedback is a gift, right? Sometimes people are afraid to tell us what we, or uh, they'll tell us what they think we want to hear

Originality

3 / 20

Every piece of advice is textbook-generic design-client guidance that has been repeated thousands of times. There is no contrarian framing, no first-principles thinking, and no counterintuitive claim anywhere in the episode.

White space can help. And not trying to cram too many, you know, words and icons and images into one, you know, brand
Simplify.

Guest Caliber

3 / 20

Christy Hudson is a staff-level production designer at a small regional agency with a 2013 BFA and local-company experience. She is not a practitioner who has operated at scale, and the conversation reveals no strategic depth beyond day-to-day execution tasks.

Graduated in 2013 with my degree in graphic design. Um, and then since then, I've worked internally at companies doing. Done some freelance
I'm not much of a writer. I'm a better editor than a writer with grammar and whatnot

Specificity & Evidence

5 / 20

A handful of named client projects (Ripley Dorn, Adams Gardens, Courage to Connect) provide minimal anchoring, but no real metrics, timelines, or dollar figures are given; the closest thing to a result is a vague claim about a 'wider pool of candidates' with no numbers attached.

their goal was to hire younger accountants and CPAs, and so they're. They're getting a. A much wider pool of candidates
I believe it was blue and green just to see M. Yeah. And green won

Conversational Craft

3 / 20

The host asks exclusively softball, open-ended questions, frequently answers her own questions or finishes the guest's sentences, and never once challenges a claim or probes for depth. Large portions of the conversation are personal small talk about cats, koi ponds, and name changes after marriage.

What was your favorite project to work on?
Any final thoughts on working with clients or if there are people who are interested in, you know, being able to hire us

Conversation analysis

Computed from the transcript - who did the talking, and the words that came up most.

Share of words spoken

  • Speaker C52%
  • Speaker D36%
  • Speaker B4%
  • Speaker A4%
  • Speaker E3%

Most-used words

design26help24different22graphic19marketing16sometimes16designer15insurance13process13acast12podcast12christy12grow11clients10enjoy10summer9

Episode notes

Christy Hudson is a passionate and creative graphic designer with a keen eye for detail and a flair for visual storytelling. With over 10 years of hands-on experience in graphic design, she has cultivated an eye for aesthetics and a profound understanding of visual communication. Christy's journey as a graphic designer is fortified by a solid educational foundation, holding a Bachelor of Fine Arts in Graphic Design from Boise State, and she has worked with many local companies to bring their design dreams to life. In addition to her experience in graphic design, her skill set extends beyond design and into the realm of photography, video filming, illustration, and marketing. 00:00 - 00:53 "Having inspiration pictures is great because a lot of people don't know design terms or they don't know how to express or communicate what they want.” - Christy Hudson 00:54 - 01:12 Welcome to Peppershock Media’s Marketing Expedition Podcast 01:13 - 02:09 About Christy 02:10 - 08:37 Marketing Essentials Moment: How to work with a Graphic Designer 08:38 - 10:41 Welcome to the show, Christy!

Full transcript

37 min

Transcribed and scored by The B2B Podcast Index.

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Speaker D: One thing that I always try to do, whether I'm working with somebody who has worked with a designer before or not, um I always ask them if they have inspiration photos of what they want something to look like. Um, because not only does that help me know, you know, kind of how to design, but whether it's, whether it's in their industry or not, if it's something that they're drawn to, if they're like, oh, I really want it to look like this, then I can kind of break down the why and see if it's like the shapes or the layout or the design that they like, if it's the colors that they like, if it's the fonts or typefaces that are being used. And then you can kind of dissect where they're coming from and what, what they want their company to represent and what they want it to look like. So having inspiration pictures is great because a lot of people don't know design terms.

Speaker C: Mhm.

Speaker D: Or they don't know how to express or communicate, uh, what they want.

Speaker E: Welcome to the Marketing Expedition podcast, an auditory journey through the latest in marketing, branding and advertising. Now here's your Marketing expedition guide, Ray Allen.

Speaker C: Um, on this episode of the Marketing Expedition podcast, I get to speak with one of our very own, Christy Hudson. And she is a passionate and creative graphic designer with a keen eye for detail and a flair for visual storytelling. With over 10 years of hands on experience in graphic design, she has cultivated an eye for aesthetics and a profound understanding of visual communication. Christie's journey as a graphic designer is fortified by a solid educational foundation. Holding a Bachelor's of Fine Arts in Graphic Design from Boise State. Go Broncos. And has worked with many local companies to bring their design dreams to life. In addition to her experience in graphic design, her skill set extends beyond design and into the realm of photography, video filming, illustration and marketing. And you're in for a treat because it's fun talking with our own people, our own staff from Pepper Shock. And we've got some stories to tell, so stay tuned for that. But right now it's time for your marketing Essentials moment. The basics that you need to help you continue to build your brand and your bottom line. The topic I wanted to cover today, I thought it would be good to dig into how to work with a graphic designer, or in our case, a creative production house. Right. Uh, but we're going to talk with Christy and she is our senior graphic designer here at Peppershock. And so I wanted to list out a couple things that, you know, just how, how to work with us, how to work with somebody like Christy, who is very aesthetically, you know, in Charge and can just, you know, kind of visualize things. Right. But some of our clients are not as visual or not as, uh, I gu. Artistically or creatively inclined. And so we have to ask a lot of good questions and a lot of good ways to do it. So prepping yourself worth working with a designer, whether it's going through a rebrand or creating a brochure or, you know, maybe it's an animation that we're creating the graphics and then taking and putting motion to them. Maybe it's a website design, maybe it's, uh, you know, all the different things that we have and lean on our graphic designers to do. The first thing I can say is show, don't tell. We love to make mood boards and we'll talk about that, but it's just a way to. Even if it's a Pinterest, like the things that we love and sometimes even the things we don't love, and that's okay. But also keeping in mind that sometimes you are not your own target audience, so asking questions from those who are your target audience can really help. So show, don't tell. Figure out what you're wanting and what your needs are and understanding some of the terminology that we use. Educate yourself a little bit about the process that we go through. And you're listening now, and I appreciate that. But, uh, sometimes it's like trying to, you know, pull, uh. What is it? Pull, uh, teeth, I guess, to get out the ideas or kind of what it is that you're thinking or what your, you know, likes and dislikes and your kind of. What your goals are and ambitions and, you know, what is the aesthetics to you? Like, what does really good design look like to you? And, you know, figure out those types of things and we can go through the whole process. We do a marketing audit process to really, really dig in deep. But understanding a little bit more and educating yourself ahead of time is going to do yourself a really good service. Another one is, uh, start by agreeing on the details and asking questions or answering questions that the designer is putting in front of you. And, I don't know, answers are okay to say, but maybe give it some more thought or even just suggest, hey, let me think about that a little bit more. Jot down some notes. And sometimes the best creative moments to anyone in the world, even if you think you are not a creative person, can come to us in moments that we're not always expecting it, right in the shower or when you're taking a walk or driving down the road, whatever the Case might be sometimes moments of inspiration come later after your subconscious mind has maybe had a chance to sleep on it and think about it. And now that you have kind of different ideas and visions and things swirling around in your head, sometimes you can look, uh, at those details in a different light. And even if you just have 24 hours later. So that helps. And then feedback is a gift, right? Sometimes people are afraid to tell us what we, or uh, they'll tell us what they think we want to hear rather than what they really truly think. Or you know, they just don't want awkward moments or they're, you know, afraid. But you know what, that's a part of the creative process to facilitate the feedback. And it's, sometimes it can be good, you know, better, best, or indifferent or it can be, you know, I just don't know if I like that. But I, I don't know why. Well, let's try to dig deeper and figure out why we don't like something or why we do really love something. What is it about whatever it is that we really, really love and kind of dissect that a little bit more. And those are the things that can really help a graphic designer when it comes time to working with your brand. And what the things are that we're wanting to accomplish in marketing and who we're talking to and the ideal audience that we're wanting to address.

Speaker D: Right?

Speaker C: And then be welcoming, be open minded, be ready to explore ideas that you hadn't thought of before. And don't just dismiss what you might think right away is a crazy idea. Because sometimes those things turn into where we all kind of start to collaborate and brainstorm and they can turn into something really awesome. Maybe they'll start off like, oh my gosh, what, I don't understand it. That's not gonna be it. What? And then sometimes it just springbo and we all get to being able to be creative and just being that open mindedness can really help and feel like you can over explain something because chances are it's just probably just enough explanation. And so feeling like you can over explain, uh, in an open, warming and welcoming environment is okay. We want that, we want the details, we want to know all of the things that we can really wrap our brains around to see the vision together. And then, um, another thing that can really help is if you write out a synopsis or what will eventually become a creative brief for us. But if you can describe something in words or adjectives and even, you know, now we can use ChatGPT or AI or any of these tools out there. We use Sentra. But, uh, if you can think about how you're going to describe something and ask questions of the ChatGPT tool to then help you prompt the answers that you would like. And that's sometimes how we're using AI to help us in the creative process. It's not like we're getting AI to create for us. We are getting AI to ask those questions of us that are going to help us to communicate all of the different ideas and thoughts and processes that are going on. Right. And then we can use these words to really become much more fluent in being able to describe and feel the vision that we're looking for. All right, so we're going to talk a little bit more about all of this and with Christy and some of the projects that we went through. And yeah, we really love having Christy on the team. So you're going to enjoy, uh, our interview with her. Stay tuned. Welcome to the Marketing Expedition podcast. I'm your host, Ray Allen. I'm the founder and CEO of or co founder and CEO of Pepper Shock Media and the founder of the Marketing Expedition community. And today's guest is Christy Hudson.

Speaker D: That's right.

Speaker C: We're gonna go with Hudson now.

Speaker D: Yep.

Speaker C: Have you officially got your name changed

Speaker D: yet after you got married? Not yet, but we could still call me Hudson.

Speaker C: Are you gonna do like the hyphen Cypher Hudson?

Speaker D: No, I think I'll just switch it to Hudson. But it's just a task I haven't done yet. So it's a process.

Speaker C: It is, definitely. Well, uh, I'm glad to have Christy here. She is our graphic designer here at Pepper Shock Media, and I kind of forced, um, her into this. Right.

Speaker D: It's okay. It's a good experience for me. I'm getting out of my comfort zone. It'll be fine.

Speaker C: That's what I tell my students all the time. Get comfortable with the uncomfortable. And it's always a good thing. But we're just here to have a conversation and it'll be nice. Don't pay any attention to the camera there.

Speaker D: I know there's no camera there.

Speaker C: So, Christy, let's just start off with your background and kind of, you know what got you interested in being a graphic designer Designer, where you went to school. And then kind of walk us through where you are now.

Speaker D: Sure. Well, I've always been interested in art. I always excelled at art classes all through school and wasn't really great at anything else. So I just decided going into school, um, going into college that I wanted to continue with the art course. Um, but I just didn't really know how to make a career out of doing art unless I wanted to do illustration or something, which I wasn't really interested in. So, um, that's when I started learning about graphic design. And that wasn't really something that was available to me when I was in middle school, high school. They didn't have graphic design classes at that time. And so I, um, went to BSU years and years ago. Oh. Yeah. Graduated in 2013 with my degree in graphic design. Um, and then since then, I've worked internally at companies doing. Done some freelance and just kind of done stuff here and there, but that's how I got into it.

Speaker C: Yeah. And now you've been with us a. Ah, couple years now.

Speaker D: Ah, yeah. Almost two and a half.

Speaker C: Yeah.

Speaker D: Yeah.

Speaker C: At Pepper Shock. And she's getting to do all kinds of cool, fun projects for our clients. Let's talk about, uh, maybe since you've been here, what was your favorite project to work on?

Speaker D: Oh, gosh, that's tricky. I love that there are a variety of projects to work on. I, um, really enjoyed. In fact, I think it was one of the first big projects I had when I started working here was the Ripley Dorn logo. I think that was really fun. And that was kind of the icebreaker project for me to, uh, you know, show my talent and really get to work with a client one on one.

Speaker C: So we brought them to the 21st century, right? Yeah.

Speaker D: Modern times. Yeah.

Speaker C: They haven't updated their logo since the 90s and IT. I could tell.

Speaker D: Yeah. So. Yeah. And it's great because now I hear back from them feedback that they're getting from. You know, I think their goal was to hire younger accountants and CPAs, and so they're. They're getting a. A much wider pool of candidates. So that's good.

Speaker A: Yeah.

Speaker C: And we went through the whole process with everything from color to font choices to, uh, any stuck with emerald green because money, you know, finance growth. Yep. And we. We narrowed it down to. We had them do a poll. Right.

Speaker D: Uh, within their company. Yeah. They did a poll between. I believe it was blue and green just to see M. Yeah. And green won.

Speaker C: Yeah. And it was fun because then they got to participate and everyone could be.

Speaker D: They had a say.

Speaker C: Yeah. That's always the fun thing, is to get people engaged so that they at least feel like they have some ownership in the decision that gets made. Yeah. And I know, um, it's out in the community and Other people that, you know, we've mentioned too. Hey, yeah, we did the Ripley Dorn logo rebrand and other people like, oh, yeah, I noticed that. That's awes. And you kind of did this, like, it looks like 3D but not really. It's just how it's like laid out and everything, which is really cool.

Speaker D: Yeah. Kind of geometric with the different shades of green.

Speaker C: Yeah, yeah, that was really cool. And then you did the mock up so what it would look like on a T shirt and you know, uh, if they had a booth at a, you know, trade show kind of thing, or in their case, probably recruitment. Uh, yeah, job fairs and stuff. Because we know that the accounting industry, the young people may be not wanting

Speaker D: to do that as much.

Speaker C: So trying to recruit the young UN's and get them in there.

Speaker D: Yeah. Well, we also, um, redesigned their website as well. So it was good to see the starting point of the logo and then to see how the rest of the branding kind of worked into that logo and how it worked together. And it's pretty cool.

Speaker C: Yeah. So, yeah, shout out to Ripley Dorn if you need an accounting, uh, firm, then they can help you and successfully they've been able to hire young people to help and kind of take over. I know transition's happening too, or some people are retiring and so then they have the need even more.

Speaker D: M. Yeah, for sure.

Speaker C: Awesome. What other. What other projects that come to mind when I say you had a lot of fun with that you enjoyed working on. I mean, I know there's projects we do that are just have to get done, but.

Speaker D: Yeah, um, you know, I really enjoy. We have a lot of clients where we do social media posts. Um, I've been working a lot more on, um, some web design. Not so much the back end of like the coding process, but, you know, just updating through, um, WordPress. And I've been learning a lot more about that, which I, I really enjoy. Um, I update the Adams Gardens website all the time and I enjoy doing that because then I get to use the pictures that we take and put those on their site and their social media accounts. And I think that's a lot of fun too. Yeah.

Speaker C: You learn more about plants too, huh?

Speaker D: Definitely. Yeah.

Speaker C: That's good.

Speaker D: Yeah.

Speaker C: Every client is something different to learn and.

Speaker D: Yeah.

Speaker C: And like discover. Yeah.

Speaker D: And I'm getting ready for planting in my garden this year, so, like, gotta go visit Adam's Gardens.

Speaker C: Yes, uh, indeed. Yeah. I think Adam's Gardens has probably. I think it's safe to say that they are Our longest client we've had since we started.

Speaker D: Wow.

Speaker C: And, um, we have a couple of them, like, low price associates, but he's now selling it to, uh, somebody else. But I think they're gonna keep working with us. But, yeah, Adam's Gardens has been around for 22 years.

Speaker D: They're great. Yeah. Neil and Jamie over there, they're very nice. And then I work with Connie mostly, um, updating social media and website. But, yeah, she's very knowledgeable. And they have cats. A lot of times that they have their. Their shop cats and then foster cats as well. So. Yeah.

Speaker C: So following the cats. Yeah, yeah, I know. Like, wineries have wine dogs, but the nursery has cats.

Speaker D: Cats.

Speaker C: They're good because they keep the mice away.

Speaker D: That's right.

Speaker C: Yeah. For sure. Um, yeah. And then it seems like another project, uh, that we got samples in the mail.

Speaker D: Oh, yeah. Fur. Yes.

Speaker C: You want to share what that's all about?

Speaker E: Yeah.

Speaker D: So this is a first for me as well. We have a client, and, um, they're called Courage to Connect. It's, um, kind of a group of different nonprofit organizations in Adams and Valley County. Um, and it's really just, um, an organization that they're trying to reach out to youth. Um, I think originally it had to do with opioid use, um, awareness, and how to, you know, kind of stop using or reaching out for help. And it's kind of just expanded into, um, you know, if your mental health is struggling or anything like that, it's just reaching out, you know, for youth and adults to kind of help each other out in, um, those two counties. But they have a mascot, and we designed him, and they named him Zeb the Yeti. And so now Zeb is on the website. He's on stickers, he's on banners. And just recently, we ordered a mascot for them to wear up there at their different Courage to Connect events. And so, uh, yeah, uh, ordering Zeb the Zeb the Yeti mascot costume has been really interesting. It's been educational. We got some fur samples just to make sure that the colors. The color we want. Yeah. And this is the felt that we want. And, yeah, um, it's been a really interesting process because I've never done that before. Right. The mascot costumes.

Speaker C: So, yeah, Yeah, I know you kept getting samples and, like, oh, it's for Christy.

Speaker D: Like, what. What are we opening today? What is this today?

Speaker C: That's super fun. Yeah. Well, uh, people will have to go. We'll put it on our website and our case studies and show off Zeb the yeti.

Speaker D: That's right. I'm excited to see what the costume looks like. We should be getting it around mid June, so about a month.

Speaker C: And then we also have a bunch of socks.

Speaker D: Yes.

Speaker C: Or in our office.

Speaker D: What are those? Yeah. So that was for yak, which is the Youth Advocacy Coalition, and they're partner. Partnering with, um, the HOPE Squad. It's a community up in Valley County, I believe. And, um, so they have a bunch of schools up there that they're doing fundraisers for. So they got these socks that say, um, we're better together and stuff like that. And so some fun emojis and stuff. That's for a fundraising event for the schools.

Speaker C: Yeah, it's always fun to get deliveries. And you're like, I know.

Speaker D: Like, what is this for? We have a bunch of different, like, kind of swag events. Swag coming in for their events and stuff. So we'll be getting in some yo yos and some necklace, bubbles and. Yeah. Face masks and all kinds of stuff.

Speaker C: Fun swag.

Speaker D: Yep.

Speaker C: Yeah, stuff. We all get swag.

Speaker D: Exactly. I think they call them educational materials.

Speaker C: We have to call them educational materials. Yes, yes. Part of the grant.

Speaker D: For the grant.

Speaker C: Yes, yes. Well, they'll instigate questions about, well, what is this? And then m. You can go, uh, look at the website and see more.

Speaker D: Right. Yeah.

Speaker C: Ah, very cool. So as part of the Pepper Shock team and working here, um, what are some things, like maybe memorable moments or things that we've done, uh, as a team that you can share that kind of make you think about our culture, our brand? Like, what are some of the activities that you like that we do?

Speaker D: Uh, well, every year we'll do one in January and then one during the summer as well. And those are our palooza events, and those are really fun. It's kind of like taking care of business internally, but it's also team building. And so usually every summer we'll go out and do a camping trip or a cabin trip. And, uh, I've gone on the last to your, um, palooza trips. And they're just a lot of fun where you can, you know, you know, do all the business on the front end and then just relax and have fun with everyone and eat good food and, you know, just enjoy the sun. I'm a summer person, so I enjoy being out in the sun. Um, and then the one in winter, we usually do just after Christmas, you know, because Christmas gets a little bit busy. But, you know, we kind of do a Christmas party and the after party. Yeah, the After Christmas party and yeah. Just. It's fun.

Speaker C: Yep. Work on the business, necessarily in the business. And uh, do.

Speaker D: Yeah.

Speaker C: Ah, like you said, some team building exercises. Get to know. Yes. Kind of thing. Good.

Speaker D: Yeah.

Speaker C: I'm glad that you like that.

Speaker D: Yeah, I enjoy that. And another thing that um. Like right when I got hired, we do uh, or we did then and we do for all of the upcoming hires. Um, we do the different like disc assessments and kind of personality quizzes and stuff so that we know how to work with each other and how we learn best and all of that. And I think that's important too because everyone learns differently, everyone communicates differently.

Speaker C: So do you remember what your uh, your assessment was? M. I think I can tell you.

Speaker D: I was disc. I believe I was like.

Speaker C: I ah, can tell you for sure.

Speaker D: Supportive and compliant are my two high ones, I believe.

Speaker C: Yeah. Do you remember what your creative type was?

Speaker D: I don't. I'd have to review all of those.

Speaker C: Ah.

Speaker D: Because I don't remember the different types.

Speaker C: Uh, yeah, there's different ones like, like the visionary.

Speaker D: That's you, right? Yeah. Yes, yes. It's funny, I think we're opposite on all of those but that's why we work well together because it's like you

Speaker C: have to have the opposite and there's areas that I, you know, don't have the skills that you do. Vice versa. Yeah, it works really well. Yeah, it's good. You kind of want to have that because if we had everybody that is the same then. Yeah, like we wouldn't be as successful, as successful or innovative I think because like ideas come in lots of different shapes and sizes.

Speaker D: Agreed.

Speaker C: Yep.

Speaker D: Mhm.

Speaker C: Good. That's a. Yeah. I like those assessments just because it does give you different perspectives. Like the Myers Briggs, you know, if you're introverted, extroverted or um, you know, intuitive and all of those different ways of doing it, I think. Yeah, there's. There's several that we've done Disc, the personality, the culture index. I'm trying to think of all the ones.

Speaker D: Yeah.

Speaker C: Um, yeah, anyway it's, it's helpful.

Speaker D: Yeah, they're interesting. I find them interesting. So they're fun.

Speaker C: Yeah.

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Speaker C: And then another thing that Christy's taken on and, you know, with the help of others, um, scheduling our volunteer sessions. So tell the audience a little bit about some of the things that, um, we've gotten to do as a result of your energy and effort and signing us up to do the wonderful things

Speaker D: that we get to do. Well, really, it's just finding the days that work for everyone hardest. Um, we've done, uh, we planted some trees for Arbor Day at ct.

Speaker C: Wait, cwi.

Speaker D: Cwi um, college last year.

Speaker C: College of Western Idaho. Correct. Yeah.

Speaker D: Okay. Yeah, yeah, so we did that last year. Um, we also did a zoo cleanup day. Y.

Speaker C: That was super fun. And it was raining. Yeah.

Speaker D: Yeah. I think they had to, like, cut us off a little bit early because, um, we got so much done and it started raining. Yeah. But we also volunteered at the Idaho Botanical Gardens. That was really fun because then after we got to go do a tour as well.

Speaker C: Yeah.

Speaker D: Um, what else? I think that's it. We have Idaho Shakespeare Festival coming up.

Speaker C: Yes.

Speaker D: A couple dates in August and September. Where Pepper Shock will be volunteering for those.

Speaker C: Yeah, I'm excited about that one because then we get to watch the play.

Speaker D: I know I've never volunteered there, so I think that'll be really fun. Um, but yeah, it's just a great chance for people to learn about Pepper Shock and for us to get out and give back to the community. And.

Speaker C: And we usually invite our contractors and.

Speaker A: Mhm.

Speaker D: Their spouses, you know.

Speaker C: Yeah, yeah. And staff and get a group together to do different things. Oh, yeah, We've also, um, we boxed up a, uh, food.

Speaker D: Oh, right. Food box, Idaho food bank for senior

Speaker C: citizens that they would deliver. Yeah, yeah, that was fun too. Um, but yeah, lots of, lots of good stuff coming up for that as well. And I think that's important to give back to the community, to us.

Speaker D: Mhm.

Speaker C: It's also good for social media too, let's be honest, from, you know, kind of a PR perspective to showcase us doing some things in the community. I mean, obviously that's not the only reason we do it, but, um, there's good intentions. Uh, and it seems like all of those photos that we post of us and our staff and kind of, you know, us doing the things get so much more traction.

Speaker E: Yeah.

Speaker D: A lot of engagement.

Speaker A: Uh-huh.

Speaker E: Yep.

Speaker C: Yep. So there's a tip for those of you listening.

Speaker D: Go get involved in the community. Right. And it's rewarding. You feel good afterwards. Right?

Speaker C: Yeah, yeah, it was, it was fun. The botanical gardens was cool.

Speaker D: I mean, yeah, we.

Speaker C: We cleaned up and planted or, you know, moved things around, got leaves out of, you know, different things and stuff. But then afterwards, like you said, we got to go tour and then there they have a. Is it koi pond?

Speaker D: Hm.

Speaker C: Yeah. And that was fun to look at. Yeah, Lots of good stuff there.

Speaker D: Yeah.

Speaker C: Um, so in terms of working with clients and, you know, now you've had your fair share working here with us. Uh, what are some maybe thoughts on when we first start working with clients? Like, setting client expectations? Like, because maybe sometimes we get people who've never gone through the design process before or never have, like, you know, worked with us to do that. What would you. What advice would you give to prospective clients in working in graphic design? Like, what can they expect? How does our process work? Um, what are some things that we've learned along the way too, to make sure that clients know about, um, ahead of time?

Speaker A: Yeah.

Speaker C: No surprises. Right. But just, yeah, share kind of like your observations on some kind of best practices or tips that people could use if they've really never gone the route of hiring, you know, a graphic designer to do their branding or, you know, the swag or any of those things, but, or like rebrands. Yeah. Um, what kinds of things can you share that they could expect to, to come to know?

Speaker D: Um, I think one, uh, thing that I always try to do, whether I'm working with somebody who has worked with a designer before or not, um, I always ask them if they have any inspiration photos of what they want, something to look like. Um, because not only does that help me know, you know, kind of how to design, but whether it's, whether it's in their industry or not, if it's something that they're drawn to, if they're like, oh, I really want it to look like this, then I can kind of break down the why.

Speaker C: Mhm.

Speaker D: And see if it's like the shapes or the layout or the design that they like, if it's the colors that they like, if it's the fonts or typefaces that are being used. And then you can kind of, of dissect where they're coming from and what, what they want their company to represent and what they want it to look like. So having inspiration pictures is great because a lot of people don't know design terms or they don't know how to express or communicate, uh, what they want. Mhm. Um, another thing is what they don't want and asking what they don't want to see or what they don't like about certain designs, I think that's just as impactful and helpful as what they do like.

Speaker C: Yeah. And sometimes we have to remind our clients that they're not their own target audience and what they like may not be what, you know, their target likes. Well, like Ripley Dorn. Right. They wanted to attract younger demographic. And so, you know, if somebody is working on something that's in a more mature demographic, then, um, they have to keep in mind who it is that they're wanting to target more of and how that works. And. Yeah, and sometimes too, like, like just because they like something or they're used to something or the colors that they want or whatever doesn't necessarily always translate into the types of people that they want to serve. Right, right.

Speaker D: And if that's a starting point for them, then we can help explain why maybe that's not what they want or what they really should be going for.

Speaker C: Sometimes less is more. Right.

Speaker D: Definitely.

Speaker C: We definitely work with clients that want to cram as much as they possibly can and oh, that's just, just uh,

Speaker D: minimalize it a little bit, Bring it back a little.

Speaker C: Yeah, White space can help. And not trying to cram too many, you know, words and icons and images into one, you know, brand.

Speaker D: Right.

Speaker C: Can be very helpful.

Speaker D: Simplify.

Speaker C: Yeah. So in that way too, it can be, you know, scalable. So if it's on a small little, you know, mobile device versus like a large, you know, billboard kind of thing, it's gotta be versatile and useful in multiple different places. Right. And can you embroider it?

Speaker D: Right, right. Yeah, probably difficult if it has some kind of a gradient. Mhm. Um, that's something we've run into before, but then we just have to make like a solid color version of the gradient logo or design, whatever it may be.

Speaker C: Yep, yep. Yeah. And then there's the people that come to us that, you know, oh, I designed this in Canva and now can you make it better?

Speaker D: Yeah, well, it's not vector, it's made in Canva. So that's, that's tricky.

Speaker C: Yeah, that or it's just like clip art that they found. Yeah, no, that's definitely part of setting client expectations upfront and like, you know, limiting how many revisions and how many versions because, you know, analysis paralysis. If you give people way too many options, then they'll never come to the conclusion of what it might need to be. And yeah, that's, that's definitely something I've seen before too.

Speaker D: Yep. Yep. Good.

Speaker C: So, um, in thinking about the different types of projects that you want to work on in the future and that we haven't got a chance to do so yet, is there something that would be like, oh, that's on my bucket list, I want to do that someday.

Speaker D: That's a good question. I haven't really thought about that. I, um, haven't done much packaging design here, which I have done in the past, but I really enjoy packaging design, um, just because I think I like the structure and how everything, you know, has its place and you can still design, you know, around the package. But um, yes, that's something I haven't done a ton of, but I've done it before. And I think that would be something that if anybody has a product that they need a package for, that would be really fun. Yeah, yeah.

Speaker C: You know, I never really did very well. When you had to like fold a piece of paper and it was like, uh, on an act test or something and like where the dots would be after you unfold it, I'm like, yeah, that's not me. So I'm glad that there are people who can do that. I like the structure, how it all comes together. Yeah. And that blows my mind because I was never able to like unfold it and see where it's going to go next or how it's going to be. But other people can do that. Yeah.

Speaker D: That's what I'm here for.

Speaker C: What's your favorite program to work in?

Speaker D: Illustrator.

Speaker C: Illustrator.

Speaker D: Adobe Illustrator. Yeah. Yeah. I also use InDesign and Photoshop quite a bit. But um, I think Illustrator is just what I used more when I was learning the program and so I'm just more proficient with that.

Speaker C: Yeah.

Speaker D: Um, and then over the years, of course I've learned more about the other programs as well. But yeah, Illustrator is just what I prefer to work in.

Speaker C: And how are you integrating AI use into your process now?

Speaker D: That's a good question. A lot of, uh, the AI con like that I use is for content creating for social media. Um, I'm not much of a writer. I'm a better editor than a writer with grammar and whatnot. But um, yeah. So anytime I have just a prompt where I'm like, hey, write me a quick title or paragraph, then I can edit it from there.

Speaker C: Right?

Speaker D: Yeah. Ah, it's a good starting point.

Speaker C: It never seems to land entirely Right.

Speaker D: But as far as designs go, I think it's also good for inspiration to kind of get like, okay, you know, where can I find this? We go to Pinterest a lot for inspiration ideas or Google. But um, with how a good AI is getting now, it can be helpful as well.

Speaker C: Yeah.

Speaker D: Yeah.

Speaker C: And that's, that's case in point. Yeah. When we want to create our mood boards.

Speaker A: Right.

Speaker D: Yeah.

Speaker C: What inspiration photos that people. Yeah. Like or not or don't. Yeah, yeah, that's, that's. I think you're right. Like people. Sometimes people know what they don't like more than they'll ever know what they do like.

Speaker D: Correct.

Speaker C: So, yeah, process of elimination. Excellent. In terms of the future of Pepper Shock and where you see us going and growing and we've added a lot of new business that we purchased, um, from Tom Scott Agency. And uh, new things happening. Um, where do you see us being in the next five years from now?

Speaker B: Hm.

Speaker D: Um, that's an interesting question. I haven't thought much about that. Let me think here. I think that, um, we have a lot of great experience and equipment to do more video shoots.

Speaker B: Mhm.

Speaker D: Which of course graphic design goes in with that too. You know, partnering with the animation, the logos and everything like that. Making sure all the Graphics are included in the videos, but lately I've been on set for a few different video shoots, and I think it's just so exciting and it's so interesting to see how that's done.

Speaker C: Yeah.

Speaker D: And I think anybody can just take a video on their phone, but seeing how the quality is different between a phone video and what we do here.

Speaker C: Yeah.

Speaker D: Uh, with the equipment that we have and the knowledge that we have, Brian, um, and Drew specifically, um, I think that we could do so much more with commercials and, um, different kind of. Of. Yeah.

Speaker C: A lot more streaming ads than ever before. Right. And then landing pages and QR codes and all that fun stuff.

Speaker D: Yep.

Speaker C: And you speaking of QR codes, that kind of allowed me into the word of mouth mixers that you're a big part of helping to make sure happen. And you didn't really know that being a graphic designer was also going to, ah, sign you up for word of mouth mixers and being, like, the check in person. I know, making name tags and all the things. But, uh, it's been fun to see it grow.

Speaker D: Yeah, I've been enjoying it, too. Yeah.

Speaker C: In fact, you were the one who said, why don't we call it word of mouth mixer?

Speaker D: I don't even remember that.

Speaker C: We were trying to come up with something. I was like, word of mouth mixer.

Speaker D: Yeah, that's great.

Speaker C: Let's do it. It flows, and I think people understand automatically what it's all about.

Speaker D: Yeah. Just a great networking event. And I enjoy running the registration booth because I get to, uh, see a lot of the same people coming back and. And revisiting the networking events, the mixers, and then meeting a lot of new people, too. And, you know, when I make their name tags and I'm like, oh, I'll have to talk with them about, like, oh, we can help them with this, or maybe they can help us with that.

Speaker A: Yeah.

Speaker C: It's reciprocal. What goes around comes around.

Speaker D: Definitely.

Speaker C: And now we'll have Nikki helping. She just started, so.

Speaker B: Uh-huh.

Speaker C: That's gonna be exciting. She'll get to go to her first mixer and see what it's all about.

Speaker D: That's right. And Jen as well.

Speaker A: Yeah.

Speaker C: Yeah, that's true. Yeah. Um, and Marie will officially retire again.

Speaker E: Yeah.

Speaker D: For the third time.

Speaker C: No, she's been great to help us out, for sure.

Speaker D: Yeah.

Speaker C: Um, any final thoughts on working with clients or if there are people who are interested in, you know, being able to hire us to help with their design needs and, you know, what kinds of, um, you know, things or tips that you'd like to share with us as we kind of wrap up.

Speaker D: Um, I would just. I think I would just want to say that we're very collaborative and we're very flexible. So we like to work with you and not tell you how to mhm. How to do everything, but also get your feedback. And, you know, I want to know what. What makes mhm your company tick and what makes you happy and what, you know. Mhm. What you want to see in your designs as well as, you know, telling you what recommendations we would have. So, uh, collaboration it is.

Speaker C: And you get to participate in the marketing audits that we do too, and really dig in on who the target audience is and do our empathy maps

Speaker D: that we do, which I think that's probably the most helpful from my side of things is the empathy map so that I do know who the target audience is.

Speaker C: Right.

Speaker D: Yeah. And, um, understanding how to design for that audience. M. Yeah. As well as communicating that with the client.

Speaker C: So, yeah, that's great. Well, thank you, Christy. I know you're like, I don't know

Speaker D: if I'm gonna do this. I'm m on the introverted side of the assessment.

Speaker C: Yeah, that's all good, but you did great.

Speaker D: Thank you.

Speaker C: Well, thanks for sitting down with me. And for those of you watching or listening, the best thing that you could do for Christy and I is send this to somebody else that you know that needs to learn about how to work with a graphic designer and then, um, give us a review because that's like gold to podcast. And until next time, everybody, enjoy your marketing journey.

Speaker D: Thanks.

Speaker E: Thanks for listening to the Marketing Expedition podcast. Want to continue the journey? Don't miss out on new episodes. Subscribe on itunes, Spotify, Amazon Music, or wherever you get your podcasts.

Speaker D: Uh,

Speaker E: Wouldn't it be great if there was one place you can go to get all the latest information and tips about marketing and advertising? The Marketing Expedition community is that place. People like you gather in our online community to build relationships with others and find the latest marketing trends, tactics, tools and technology. We help you build your brand and your bottom line. Start your adventure today. Visit themarketingexpedition uh.com to find out more.

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